Charlie Swanson
With strong roots in Argentina’s folkloric sounds, Tremor mashes acoustic instrumentations against a wall of experimental electronics and synths, creating what frontman Leonardo Martinelli calls a “collage” of new and old.
United by a mutual appreciation of hip hop, Josh Carter and Sarah Barthel combined as Phantogram to make layered, starry-eyed pop with shadowy undertones.
For British guitarist Matt Stevens, the widespread digital distribution of his music via the Internet has meant more than major labels and pricey CDs ever could.
Crossing the lines of minimalist performer and powerhouse artist, Scout Niblett is one of the strongest voices to emerge in recent years. Acting as an introspective one-woman force of nature, she eschews superfluous support and production without sacrificing an already demanding sound.
In addition to adding psychedelic and poetic passages, An Albatross has finally captured its powerful live performances with its newest full-length, An Albatross Family Album.
Other than their insane and angsty lyrics, Paint It Black embraces true punk values by emphasizing DIY and getting in touch with fans with advanced release CDs distributed in person.
Transitioning from jazz to a more eclectic style incorporating bop, funk, and metal, Norwegian post-prog group Shining showcases unconventional instruments such as the EWI, wooden church organs, and toy pianos. The fun doesn’t stop there — even their song titles are riddled with secret codes and references.
Highly regarded musicians Rob Mazurek and Bill Dixonof Exploding Star Orchestra combines classical music with the cosmos for a truly astounding ensemble.