Interview: Dinosaur Jr.’s chemistry, formula, and pursuit of perfection intact on I Bet on Sky

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Dinosaur Jr.: I Bet On Sky (Jagjaguwar, 9/18/12)

“Watch the Corners”

Dinosaur Jr.: “Watch the Corners”

When punk hit in the 1970s, it was popular to call the prog rockers and stadium-filling FM-radio vets “dinosaurs” for their size and presumed extinction. That only made it more fun for J. Mascis and his pals to dub their thunderously loud Amherst, Massachusetts, trio Dinosaur in the mid-’80s (it added the Jr. on its second album) to confuse things a bit more.

The band dealt in volume and aggression learned in hardcore act Deep Wound, but guitarist Mascis’s laconic and numb musings and bassist Lou Barlow’s emotional wail were another planet removed from typical punk spit and anger, and Mascis’s graceful, dense guitar solos showed more than a passing knowledge of classic-rock chops. The band has always been a unique balance of aggression and cuddle — snot and bedroom blues — and few of today’s indie rockers ever think to combine both.

Father John Misty: Fear Fun

Father John Misty’s secret weapon: Dimitri Drjuchin’s bright, mystical eye candy

This content appears in ALARM #40. Subscribe here to get your copy!

Born in Moscow, NYC-based painter and illustrator Dimitri Drjuchin creates bright, mystical eye candy that reads like a riddle. You may recognize his surrealist work from gig posters for comics Marc Maron, Jim Gaffigan, Eugene Mirman, and Hannibal Buress — or, more recently, you might have spotted his mind-bending cover for Fear Fun, the debut album from Father John Misty.

Record Store Day 2012

ALARM’s guide to Record Store Day 2012

Tomorrow is the third Saturday in April, which means that independent record stores across the world will face an influx of limited-edition vinyl, avid fans, and rabid audiophiles. With myriad releases hitting shelves, we’ve provided you with some of our most anticipated picks to make Saturday’s shopping (relatively) quick and painless.

Justin Santora / The Black Keys

Poster Art: Justin Santora’s “constructions”

Poster Art is a weekly column about today’s independent poster art and the artists who create it.

Based in the Chicagoland area, Justin Santora is an illustrator whose work focuses primarily on the themes of construction and disassembly, as well as “the pursuit for security and the desire for autonomy.” His perspective stems from the concept and process of “constructing something from the ground up” and an ongoing interest in subcultures.

Many of Santora’s illustrations focus on the reoccurring motifs of unfinished buildings, houses, and general architectural structure, while other poster designs simply hint at his love for animals. His pieces often include imagery of abandoned spaces and empty rooms that produce a sense of isolation, as well as despondence within human relations.  Additionally, his more recent works include a strong presence of light, shadows, and translucent, haunting human figures.
 

Justin Santora: "We Are a Collection of Screaming Jackasses"
Justin Santora: "We Are a Collection of Screaming Jackasses"

Weekly Music News Roundup

Over the past week, we caught news of a mini Soundgarden/TAD live jam, a new Kayo Dot album, a new/streaming Trash Talk EP, another Mars Volta album, another Zach Hill project, and a release date for the new Tortoise album.  Read about this and more after the jump.

Weekly Music News Roundup

The long-rumored Faith No More reunion has been confirmed (!!!).  Vocal heavyweight Mike Patton keeps busy with a feature-film soundtrack, MF Doom drops half his name and a new album, Dengue Fever provides accompaniment to The Lost World, hip-hop duo Themselves returns, and much more.