ALARM's 51 Favorite Albums of 2013

ALARM’s 51 Favorite Albums of 2013

Saving the best for last, we’ve chosen our 51 favorite albums of 2013, pulled from the acclaimed and the unsung — some of the best as well as most boundary-pushing releases from rock and beyond.

50 Unheralded Albums from 2011

50 Unheralded Albums from 2011

In just one more trip around the sun, another swarm of immensely talented but under-recognized musicians has harnessed its collective talents and discharged its creations into the void. This list is but one fraction of those dedicated individuals who caught our ears with some serious jams.

Kurt Vile

Record Review: Kurt Vile’s Smoke Ring For My Halo

Kurt Vile: Smoke Ring For My HaloKurt Vile: Smoke Ring For My Halo (Matador, 3/8/11)

Kurt Vile: “Baby’s Arms”

[audio:http://alarm-magazine.com/wp-content/uploads/2011/03/KurtVile-BabysArms.mp3|titles=Kurt Vile “Baby’s Arms”]

During the few years that he’s been putting out proper records, Philadelphia’s Kurt Vile has played equally the singer-songwriter and the free-form sonic tinkerer. He seems unwilling to force too much to happen in either capacity. He’s sincerely catchy but shy of being blatantly earnest. He’s tempted by the inviting fizzle of tape hiss, reverb, drum machines, and Casios, but can put a simple guitar part at the front when it suits him.

His new album, Smoke Ring For My Halo, is a lot more orderly than Constant Hitmaker (2008) or Childish Prodigy (2009). The frequent, fun instrumental twiddling of Hitmaker is just about entirely gone, and Prodigy‘s push toward rocking clarity continues in a mellow acoustic vein. It no longer sounds like each song was patched together in slightly different circumstances and varying qualities of tape. He achieves a new consistency on Smoke Ring and doesn’t strain himself to get there.

Landlocked Music

Behind the Counter: Landlocked Music (Bloomington, IN)

Each Tuesday, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.

Landlocked Music in Bloomington, Indiana has been around since 2006 and has since proved to be a staple in the small college town. The store has hosted a number of notable in-store performances and curates a collection of music to satisfy almost any taste. With its fifth anniversary coming up in March of 2011, we spoke with Landlocked c0-owner Jason Nickey and got the inside scoop on one of the Midwest’s top record stores. A message to any straightforward rock-‘n’-roll bands from Bloomington: get in touch with Nickey; he doesn’t believe that you exist.

What was your motivation for starting a music store? / What is your background in music?

I had no choice, really. It’s the only thing I’m fully qualified to do; I’m otherwise unemployable. All I ever did at any other job I ever had was talk to people about music and records and try to discover new stuff I hadn’t heard yet. So it was probably inevitable. Also, at a certain point, when you’ve acquired a certain quantity of recorded music, it’s the next logical move.

I worked in record stores all through college, and I’ve worked a bit on the distribution side of things, as well as some writing for magazines, websites, etc., and deejaying at college and then community radio. All of those experiences have come into play to some degree. Also, finding a partner was key. It would be near impossible to do this alone. I’m sort of the behind-the-counter guy; my partner is the marketing/social-networking guy, broadly speaking.
 

Jason Nickey holds the Flamin' Groovies' Shake Some Action
Jason Nickey holds the Flamin' Groovies' Shake Some Action

ALARM’s Top 10 Albums of 2008

Our list of favorites from last year includes devastating dub metal, organ-fueled psychedelic grind, a re-released classic-rock gem from nearly four decades ago, an international assemblage of punk-infused field recordings, and an Indian/surf/metal take on John Zorn‘s Masada material.