Marriages

Divorcing convention: Marriages makes post-rock bliss on Kitsuné

This content appears in the iPad-exclusive ALARM 39. Download it for free and subscribe to our new print edition.

Marriages-KitsunesmMarriages: Kitsuné (Sargent House, 5/1/12)

“Ride in My Place”

Marriages_Ride_in_My_Place

Emma Ruth Rundle has a belated Christmas gift for you. While most of us braved awkward reunions with relatives last winter, the guitarist/singer and her new band Marriages were cooped up in a studio, challenging the very notion of what it means to be “post-rock.”

Marriages

Review: Marriages’ Kitsuné

Marriages: KitsunéMarriages: Kitsuné (Sargent House)

“Ride in My Place”

[audio:http://alarm-magazine.com/wp-content/uploads/2012/03/Marriages_Ride_in_My_Place.mp3|titles=Marriages: “Ride in My Place”]

Though their union is new, the members of Marriages are veterans of post-rock experimentation, and their self-titled debut challenges the very notion of the sub-genre.

100 Unheralded Albums from 2010

Among the thousands of under-appreciated or under-publicized albums that were released in 2010, hundreds became our favorites and were presented in ALARM and on AlarmPress.com. Of those, we pared down to 100 outstanding releases, leaving no genre unexplored in our list of this year’s overlooked gems.

Helms Alee touring with Young Widows, to record with Matt Bayles

Ex-members of Harkonen and These Arms Are Snakes compose the rock trio Helms Alee. Since its 2008 Hydra Head album Night Terror, front man Ben Verellen has reunited Harkonen while launching his own Verellen Amplifiers.

Helms Alee will take its seamless male-female vocal blends and thrashing rock melodies to the stage with the impressive likes of Boris, Red Sparowes, and Young Widows for a fall tour.

The band will wrap up the tour with a live performance that it’s calling Verellen Amplifiers Night in its hometown of Seattle. Helms Alee will then be back in the studio preparing a currently untitled and new album for Hydra Head, expected in 2011 and produced by Matt Bayles.