Young Widows

Black God

Q&A: Black God

Black God: IIBlack God: II (No Idea, 3/20/12)

Black God: “Everyone’s a Friend”

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In 2000, Louisville-based Black Widows emerged from local hardcore powerhouses Rob Pennington (By the Grace of God) and Ryan Patterson (The National Acrobat, Coliseum). The amalgamation soon became known as Black Cross, which went on to release two full-lengths and a couple of seven-inch records by 2004. Though Patterson admits that the band “faded out of activity,” that hasn’t stopped the collaborative efforts of its founding members.

The most recent incarnation of Black Cross hasn’t evolved much in terms of a band name or even its founding members. Now performing together as Black God, Pennington and Patterson have recruited the likes of fellow Black Cross alum and Young Widows’ Nick Thieneman on bass, as well as the younger Ben Sears (Prideswallower, Mountain Asleep) on drums.

Young Widows

Record Review: Young Widows’ In and Out of Youth and Lightness

Young Widows: In and Out of Youth and LightnessYoung Widows: In and Out of Youth and Lightness (Temporary Residence, 4/12/11)

Young Widows: “In and Out of Lightness”

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More than ever, Louisville’s Young Widows is teaching listeners to appreciate the quietness in post-punk.

Consider, for contrast, the slobbering borderline silliness of Pissed Jeans, or any other band that draws on a ton of distortion. At first listen, Young Widows might seem to have something missing. The vocals lead the songs but aren’t panicked or even immediately catchy. The guitars often walk an eerie line between clean and dissonant. The rhythm section — though hardly crude, if you’re paying attention — often favors a ceremonial plod.

In between, there’s a roomy silence, occasionally breached with a wandering guitar echo or backing vocal. But soon it stops feeling incomplete. That lurking silence, and the unresolved feeling that it creates, becomes the hook.

Young Widows

Q&A: Young Widows

Young Widows: In and Out of Youth and LightnessYoung Widows: In and Out of Youth and Lightness (Temporary Residence, 4/12/11)

Young Widows: “Future Heart”

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Though not a strict departure from previous material, the new album by post-hardcore outfit Young Widows displays a different phase of the band’s career. Calling it a “progression” might apply regressive traits to its first two albums, but In and Out of Youth and Lightness turns down the Cro-Magnon wallop and continues the band’s history of accomplished noise rock.

Its last album, Old Wounds, was a mostly live recording by Kurt Ballou (Converge, Coliseum, Pygmy Lush). In contrast, the new album was produced by the band and Kevin Ratterman (My Morning Jacket) at The Funeral Home in its hometown of Louisville, Kentucky. Guitarist and vocalist Evan Patterson joined us to answer a few questions about the band’s songwriting process and what bands people should check out.

How do you describe your music?

I don’t, but if you were a clerk at a gas station, I would tell you that we are a rock band. That’s as far as I can go.

On the new album, there’s a bit of a weird blues influence — less Jesus Lizard pummel and more of a Liars atmospheric vibe. What did you want to do new or different? What did you want to keep the same?

Music has to progress. There are no specific influences. The goal with this album was to find my voice, and that was wholeheartedly achieved. Lyrically, [they’re] the heaviest and most affective songs that I’ve created. Old blues has that same effect on me. It speaks to me. The bridge between modern rock music and blues is a short one, and it’s inevitable that those characteristics will be riding in the same vehicle to achieve certain goals.

Helms Alee touring with Young Widows, to record with Matt Bayles

Ex-members of Harkonen and These Arms Are Snakes compose the rock trio Helms Alee. Since its 2008 Hydra Head album Night Terror, front man Ben Verellen has reunited Harkonen while launching his own Verellen Amplifiers.

Helms Alee will take its seamless male-female vocal blends and thrashing rock melodies to the stage with the impressive likes of Boris, Red Sparowes, and Young Widows for a fall tour.

The band will wrap up the tour with a live performance that it’s calling Verellen Amplifiers Night in its hometown of Seattle. Helms Alee will then be back in the studio preparing a currently untitled and new album for Hydra Head, expected in 2011 and produced by Matt Bayles.

Weekly Music News Roundup

The Dillinger Escape Plan begins recording a new album in July; El Grupo Nuevo de Omar Rodriguez Lopez and Madvillain post tracks; Sunny Day Real Estate is rumored to be reuniting; Steve Reich wins a Pulitzer.  Keep reading in the roundup.

Ten Current/Upcoming Tours to Catch

As the season’s wintry punishment eases (it cracked 50 in Chicago this weekend), more and more artists are getting back in their vans and braving the roads for packed and sparse crowds alike.

Here’s a list of tours on our radar, including dates from The Bad Plus, Fucked Up, Orange Tulip Conspiracy, P.O.S., Secret Chiefs 3, Young Widows, and more.

Weekly Music News Roundup

Announcements are made for new albums from Irepress, Karl Sanders, Black Moth Super Rainbow, and Staff Benda Bilili — a group of paraplegic Congolese street musicians.

Jacob Fred Jazz Odyssey releases its new studio album for free; Secret Chiefs 3 announces a concert DVD; Les Claypool announces an outstanding mini festival that will be in a town near you. This and more after the jump.