By the time one gets to track eight, it is evident VanGaalen fancies himself a regular Bob Dylan. His depth in words complements his ability to craft intricate arrangements, so much so that it is a surprise to find that Skelliconnection was recorded largely in the artist’s basement.
Nonetheless, the accolades and noticeable likeness to some of our greatest songwriters end about mid-record. By song “Red Hot Drops,” the query of VanGaalen‘s influences desists, absorbed now by a focus on his amateur tendencies resonant throughout the culmination of the record. At this point, he makes an unfortunate and strange departure in the direction of experimental pop/folk.
Both jarring and even a bit standoffish, it leaves us without the desire for more.
– Bill Wallace
Chad VanGaalen (Subpop)