Lead singer Torquil Campbell’s voice even sounds remarkably similar to Conor Oberst at times. Some portions of the disc are fun, especially the bouncy, clarinet-accompanied “Incredibly Drunk on Whiskey,” but others are mostly forgettable. In an age of sensitive songwriting, it’s crucial that the less musical, stripped-down songs have lyrical substance.
Unfortunately, most of Memphis’ work so far is filled with vague metaphors, clichéd imagery, and generally nap-inducing song structure. In Campbell’s case, it might be wise to stick to what he does the best – constructing smart, orchestral pop music and leaving the sad songs for somebody else.
– Andrea Myers
Memphis (Good Fences)