Those that recognize the name of cellist Alison Chesley — the woman behind the designation Helen Money — may do so because she was a founding member of Sony Records power poppers Verbow. And though she remains busy as a collaborator and studio musician, Chesley has used the name to debut solo material that is rooted in much of her rock past.
Her self-titled Helen Money album predominantly employs a distorted and sonically manipulated cello, one that often creates a thick, gritty sound that is characterized by heavy bow work. She claims a strong Jimi Hendrix influence, and it’s obvious in the track blatantly dedicated to him.
But despite the rock foundation, the material — commonly with diminished and minor tones — contains classical and minimalist undercurrents. Though not a virtuoso, Chesley demonstrates a strong sense of melody and harmony; the Indian inflection of overture "Dreaming" immediately captures listeners following an inaugural up-sliding riff.
Still, the complete lack of percussion and absence of much accompaniment gives the album a tendency to drag. Chesley is talented, but she would do well to organize a full band to fill out the style she has chosen.
– Scott Morrow
Helen Money: www.helenmoney.com