By design, the kind of subtle ambience played by bands like Kiln lacks the sharp, obvious hooks that dig their way into the listener’s psyche. So it’s no surprise that Kiln (previously known as Fibreforms) have escaped detection over their ten-year existence.
The chilled-out, cloistered mood of Dusker makes the world melt away, lulling the listener into relaxing, meditative expanses. Lost in the loops, it’s hard to think about anything else, dazzled and drowsed by the shimmering sounds that float through the speakers.
Kiln is an enigma. Never playing live, the Michigan trio has pinned itself to the studio, building on the familiar core of drums, bass, and guitar with a bevy of electronic accoutrements and production wizardry.
There are no stumbles or flourishes, just smooth sailing throughout. Dusker’s unimpeded motion is hypnotic. The delicate audio woven by Kiln is reminiscent of Kraut-inspired artists like Landing.
“Tigertail” in particular, with its synth motif and incessant plinking percussion, invites comparisons to Neu! or Kraftwerk. Album opener “Fyrepond” is cool and undisturbed like hold music at an expensive yoga studio. “The Colorfreak” kicks up dust with a bright, bold guitar loop that takes a page from My Bloody Valentine frontman Kevin Shields. The song has depth and color, and is one of Dusker’s most pleasing accomplishments.
– Michael Patrick Brady
Kiln: www.myspace.com/kilnaudio
Ghostly International: www.ghostly.com