Until recently, Detroit songsmith Rodriguez has been relatively unknown in his hometown but, in some parts of the world he is a legend. In South Africa, he’s bigger than Elvis. On Saturday, September 20, Rodriguez (whose incredible story will be featured in ALARM #33) performed to a sold out crowd at The Park Bar, marking his first Detroit performance in 35 years.
This summer, Rodriguez reissued his seminal album, Cold Fact (Light in the Attic). Originally released in 1970, the twelve-song LP features a mix of protest rock, folk music, and soulful grooves. If Donovan had been a Motown artist, he might have sounded something like Rodriguez.
Poor distribution and the demise of his record label meant that the general public never had a chance to hear the songs. Upon hearing the songs for the first time, they sound so familiar it’s as if you’ve known them all your life. After releasing his second album, Rodriguez threw himself into supporting his growing family. It wasn’t until decades later that he learned of his fame overseas and resurrected his musical career.
Dressed in black with a matching black and white checked vest and hat, dark shades and a grin from ear to ear, Rodriguez seemed at ease as he took the stage.
Making light jokes with the crowd he mused, “I call Detroit the ‘City of Victims,’ where there are as many crimes as morning glories, but change is coming.”
And change has certainly come for Rodriguez. Years ago, he was reportedly so nervous onstage that he would perform facing the back wall. If Rodriguez still suffers from stage fright, it no longer shows. Leading a band comprised of some of Detroit’s hippest rock musicians, including guitarist Matt Smith (Outrageous Cherry, Volebeats), producer extraordinaire and bassist Jim Diamond, keyboardist Bobby Emmett (The Sights), and drummer Dave Shettler (SSM, The Sights), Rodriguez coursed through over an hour’s worth of material. His smooth voice rang out over tunes such as “The Establishment Blues,” “Rich Folks Hoax,” and his signature, “Sugar Man.”
As cheers echoed through the crowded venue, it became clear that though it has been a long time coming, Rodriguez has firmly established his rightful place as one of Detroit’s most beloved musicians.
-Jamie Ludwig
Rodriguez: www.sugarman.org
Light in the Attic Records: www.lightintheattic.net