Nonetheless, the band’s talent for songwriting shines throughout the record, even if the music sounds overworked. Most of the songs are written in a 2nd person perspective, instructing the audience that they died (“Everybody Say”), that they are in a conversation with the band (“Silence”), or that they are activists who should continue their pursuits (“The Takers”).
Album opener “Monkey Forest Road” is eclectic and experimental in its structure, never really seeming like a complete tune but still a fascinating listen to and appealing enough to whet the listeners’ appetite for more. “Everybody Say,” which appears around the beginning of the album, is best reflective of the group’s sound. Incorporating classic instruments such as the guitar and bass with more unusual accompaniment (flute, electronics), the song is gorgeous and rich in harmonies. The all-too short “The Optimists Were Wrong,” sounds like it could be the beginning of something different yet exciting and upbeat for the band. However, just as the interlude gains some momentum, it cuts to the drowsy, “Change No Change.”
Upon first listen, Migration seems like the sort of record that has intense promise. However, after a few listens and despite its warm consistency, the album ultimately comes off more pedantic and indolent than compelling.
– Britt Julious
Takka Takka: www.takkatakkamusic.com
Ernest Jenning Recording Company: www.ernestjenning.com