If there’s one band that pulled off the long, mysterious hiatus with mystique intact, it’s Bristol, England’s Portishead. Yet when the ’90s trip-hop act resurfaced in 2006, it had substantially changed — gone were the down-tempo beats and much of the melancholy, replaced with a new sound and sparse, driving rhythms that owed more to krautrock than Def Jam.
Beatsmith/songwriter Geoff Barrow was guiding it that way. Since the reunion, he’s been on fire, issuing music in a variety of guises with Beak> (a rock band), Quakers (a sprawling hip-hop project), and as Drokk (a soundtracking duo). That’s not including the records that Barrow has produced for others and released on his label, Invada.
With no shortage of topics in tow, we caught up with Barrow to talk about drum sounds, film scores, and writing music for Judge Dredd.