Baths

Concert Photos: Baths @ Subterranean (Chicago, IL)

LA-based producer Baths, a.k.a. Will Wiesenfeld, released his debut album, Cerulean, last year on Anticon, and has been touring tirelessly ever since. His setup is simple, and his crew minimal: a laptop, an MPC, and himself. He doesn’t need much to make the magic happen; mountains of synth, heavy hip-hop beats, and fragile falsetto comprise his sound.

On paper, it sounds like what every other “producer” with a decent home-recording system is making. However, rather than merely aiming to impress with flashy tricks, Baths manages to make it sound fresh with palpable sincerity. Contributing photographer Drew Reynolds snapped these shots at a recent stop at Subterranean in Chicago.

Baths

Extreme Noise Records

Behind the Counter: Extreme Noise (Minneapolis, MN)

Each week, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.

If you’re ever in the Minneapolis area, do yourself a favor and trudge through the epic snow drifts to the punk-rock institution that is Extreme Noise Records. Though it has experienced its share of tumult, including multiple moves and financial ups and downs, it’s still kicking out the jams—largely because of its devoted core of volunteers and supporters. We spoke with one such volunteer, Bryan Alft, who joined Extreme Noise shortly after it opened in the mid ’90s. He gave us his personal take on the continued success of Extreme Noise.

How has Extreme Noise survived when the record stores on which it was modeled (Epicenter Zone in SF and Reconstruction Records in NYC) have since closed?

It is hard to say, exactly. I’d say geography has played a part in our longevity. Minneapolis draws people from the Dakotas, Wisconsin, Iowa, and the Winnipeg area, so there is a pretty big customer base that is used to driving for hours to go to a show and buy some records. And I think we have been lucky to have a stubborn core group of volunteers who have held things together for 17 years.
 
Extreme Noise Records

What are some of your recent best-selling albums?

Nerveskade: s/t
Protex: Strange Obsession
No Statik: We All Die in the End
Steve Adamyk Band: Kapow
Mind Spiders: s/t
Deskonocidos: En La Oscruidad
The Ex: Catch My Shoe
Vaaska: Ruido Hasta Muerte
Low Threat Profile: Product #2

Ivan & Alyosha

Guest Spots: Ivan & Alyosha on its gospel roots

Ivan & Alyosha: Fathers Be KindIvan & Alyosha: Fathers Be Kind (Missing Piece, 2/1/11)

Ivan & Alyosha: “Glorify”

[audio:https://alarm-magazine.com/wp-content/uploads/2011/03/05-Glorify.mp3|titles=Ivan & Alyosha: “Glorify”]

Seattle indie-folk band Ivan & Alyosha might sound like a duo, but the quartet’s name actually comes from the main characters in Fyodor Dostoevsky’s The Brothers Karamazov.

The band began as the solo project of Tim Wilson in 2007. Before long, Wilson linked up with guitarist Ryan Carbary, and bassist Tim Kim and Wilson’s brother, Pete, joined the band prior to its new five-song EP, Fathers Be Kind.

In this piece, penned by Pete and Tim Wilson, they reveal their deep love for gospel, and explain that even their pop songs have characteristics of the gospel tradition. After your read the words below, listen to the sounds of “Glorify” above to see how the band practices what it preaches.

The Deep Roots of Gospel Music
by Ivan & Alyosha

Lately, we have all been heavily influenced by traditional gospel music. Something magical happens when all four of us gather around a piano, have a drink, and enjoy each other’s company by singing old hymns, harmonizing together, and eventually writing a song. It’s a very natural thing for people who have a common bond to sing about things that they believe in. We usually tend to write “pop songs,” but lately we’ve realized just how deeply rooted in gospel our songs really are — even southern gospel.

Just like Johnny Cash and the Tennessee Three, Elvis and The Jordanaires, or The Million Dollar Quartet, when these guys got together to sing, they would sing gospel songs. I’ve read stories about Elvis backstage after a show at the International Ballroom in Vegas; it would be like 3 AM, every famous person you could think of was in the room, and all Elvis would want to do ’til the wee hours of the morning was sing gospel jams. I sometimes fantasize about being in that room, singing harmonies with “The Memphis Mafia” and Sammy Davis Jr., but I’m happy to settle for I&A’s RV after a show, driving to the next town, getting late-night eats and drinks, and singing our guts out to “Known Only To Him,” “Softly & Tenderly,” or “When The Roll Is Called Up Yonder.”

Against Me!

Concert Photos: Against Me! @ Congress Theater (Chicago, IL)

After weathering a tumultuous 2010 in which it left its first major label, picked up a new drummer (Jay Weinberg, The E Street Band), and canceled an entire tour, Floridian punk band Against Me! is as strong as ever. It’s currently on tour in support of its last album, White Crosses, and is preparing material for a new release on indie label Fat Wreck Chords later this year. ALARM contributing photographer Elizabeth Gilmore snapped these shots of the band during its recent stop at the Congress Theater in Chicago.

Against Me!