Dandelion Records & Emporium

Behind the Counter: Dandelion Records & Emporium (Vancouver, BC)

Each Tuesday, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.

Dandelion Records and Emporium in Vancouver, British Columbia, is run by the husband-and-wife team of Jeff Knowlton and Laura Frederick. The two merged their interests in music and art to form what was formerly known as simply Dandelion Records. As they added more inventory, expanded to include goods such as books and art, and moved to a bigger location, they added “Emporium” to the store’s name. Though its name points to a massive retail experience, Dandelion offers an intimate experience with a carefully curated selection of new and used vinyl and well-designed products.It’s the sort of place Andy Samberg calls when he needs a rare record a.s.a.p.

What are the origins of Dandelion Records?

Dandelion Records and Emporium is owned by my husband, Jeff Knowlton and myself, Laura Frederick. We met in Victoria when Jeff was working as a museum exhibit designer and I was manager of a design store. Jeff was an avid record collector, and I had an interest in music and a background in retail, as well as art and design. We moved to Vancouver in 2006, and Jeff began selling records at a well-known flea market. That was the beginning of the roots of the store. In 2007 we opened Dandelion Records in the basement of a shared gallery space. It was pretty small and dingy, just the sort of place to find great records. The following year we moved into our own store space at Main and Broadway. Our vinyl selection continued to grow, and in 2008 we moved to our current location at 2442 Main Street. We expanded the store to include a selection of books, bags, stationery, and other items, and changed the name to Dandelion Records and Emporium. Jeff and I both work at the store, and currently there are no other employees.

Tim Hecker

Guest Spots: Tim Hecker on the loudest instruments in history

Tim Hecker: Ravedeath, 1972Tim Hecker: Ravedeath, 1972 (Kranky, 2/14/11)

Tim Hecker: “Hatred of Music I”

[audio:https://alarm-magazine.com/wp-content/uploads/2011/01/Hatred_of_Music_I.mp3|titles=Tim Hecker: “Hatred of Music I”]

Experimental electronic musician Tim Hecker recorded his forthcoming album, Ravedeath, 1972, over the course of one day, using a pipe organ in a church in Reykjavik, Iceland. As with the majority of Hecker’s work, the record was shaped by computer-based post-production tweaking and editing (with engineering help from Icelandic jack-of-all-trades Ben Frost). His ambient soundscapes comprise ever-changing layers of noise and melody, building toward monolithic sonic density and hemmed in by meticulous attention to detail.

In addition to making music, Hecker also studied the cultural history of urban noise in North America at McGill University in Montreal (where he now teaches a course called “Sound Culture”), making him the perfect candidate to expound on important moments in thunderous aural innovation.

Sam Amidon

Concert Photos: Sam Amidon @ Schubas (Chicago, IL)

For our final installment in coverage of the Tomorrow Never Knows festival, we present photos from traditional folk revivalist Sam Amidon‘s recent headlining show at Schubas.

With support from Once‘s Marketa Irglova and Minneapolis-based pop artist Jeremy Messersmith, the Vermont-born songwriter played tracks from his fourth solo album, I See the Sign (Bedroom Community, 4/13/10), which was recorded and produced by Valgeir Sigurðsson (Björk, CocoRosie, Ben Frost) and features contributions from Nico Muhly and Beth Orton. Check out Sam Amidon in action with photos taken by ALARM contributors Sanchez + Kitahara.

Sam Amidon