Review: Hush Arbors / Arbouretum’s Aureola
On its split LP with Hush Arbors, Baltimore quartet Arbouretum effectively lays waste to anyone who’s ever bowed at the…
On its split LP with Hush Arbors, Baltimore quartet Arbouretum effectively lays waste to anyone who’s ever bowed at the…
There’s no actual rule saying that heavy bands have to dilute their heaviness when they indulge in melody -- or,…
As a companion to last year’s Gloss Drop, the inversely titled Dross Glop consists entirely of Battles’ Gloss Drop music…
With its first full-length album in a dozen years, oddball rock trio Primus displays a new-found vigor thanks to newly…
With his new album, DJ and electronic artist Amon Tobin has made the complete transition to using and manipulating sound…
Soundgarden: Live on I-5 (Universal / A&M, 3/22/11) In an interview conducted on A&M Records' Hollywood lot around the release of…
The tenth release from Norwegian black metallurgists Dimmu Borgir is an epic symphony, employing the Norwegian Radio Orchestra and the…
Ben Goldberg's infatuation with the clarinet inspired him to combine traditional Jewish klezmer music with jazz to create a wild,…
It’s rare to think of tranquil music as “unlistenable,” but Austin, Texas ambient musician Cory Allen’s latest album, Hearing Is…
Stripped of the band’s most tried and true novelty, Never Stop reveals what The Bad Plus could have exploited all…
Even after several decades of cross-pollination between the worlds of rock and jazz, it could be argued that a true…
Five years since the release of Future Perfect, Autolux's full-length debut, the alt-rock trio only recently announced labels for its…