Scott Morrow 
Chicagoans, check out Japan Nite IV tonight at the Empty Bottle, where 10% of the proceeds of the tour’s fourth annual US jaunt goes to the Red Cross to benefit the disaster in Japan. The venue encourages all ticket buyers to separately donate $5 to the Red Cross; in exchange, each will receive a drink ticket for a domestic draft beer.
Catch the rest of the tour this week in Seattle, Las Vegas, Los Angeles, and San Francisco, and click “read more” to see the full flier.
On February 22, ALARM Press launched a pre-order and fund-raising campaign to print our newest book, Chromatic: The Crossroads of Color and Music, profiling independent musicians and artists who use color in unorthodox ways. Pre-order a copy now for up to 38% off.
Wye Oak: Civilian (Merge, 3/8/11
)
Wye Oak: “Civilian”
[audio:https://alarm-magazine.com/wp-content/uploads/2011/03/wye_oak_civilian.mp3|titles=Wye Oak: “Civilian”]
Since its debut album in 2008, Baltimore indie duo Wye Oak has drawn a concerning amount of comparisons to Yo La Tengo. But despite the group’s occasionally mellow tones and deliberate tempos, singer/guitarist Jenn Wasner and multi-instrumentalist Andy Stack have presented more than pleasant, easy-going moods since If Children, that promising debut.
Even onstage, Wye Oak builds a full sound largely from Stack’s straightforward but well-defined drums and Wasner’s warm and often loud guitar playing, which is very resourceful on its own. (Stack also plays some keyboard parts with one hand while drumming.) Though they always manage to sound like a fleshed-out band, the two reap at least one benefit of a two- (or even one-) person act, which is that sonics don’t distance them from the meat of a song. Even the streaks of feedback on If Children tracks “Warning” and “Orchard Fair” felt at one with the progressions of the songs, certainly anything but careless or sloppy.
And even the things that make Wye Oak records a bit difficult say more for them than against them. The sample of indistinct chatter that begins the new Civilian, for instance, gives opener “Two Small Deaths” an aptly unsettling place from which to sneak up. Don’t count on re-settling all that often, even when things are as pretty as you’d expect.
