Som Records

Behind the Counter: Som Records (Washington, DC)

Each Tuesday, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.

This week, we spoke with Neal Becton, owner of Som Records in Washington, DC. The small, well-curated record store is a staple in the DC community, and Becton is the force behind a number of events like the annual DC Record Fair and the monthly Brazilian Rhythms party. Having made three trips to Brazil primarily for the purpose of digging crates, there’s no question that Becton is committed to his craft, and Som’s diverse selection reflects his unequaled passion for music.
 

Som Records
Neal holds The Beatles' Revolver

What can someone expect when visiting Som for the first time?

A small but tight shop with the best selection of used vinyl in DC. Being fairly small forces me to curate instead of just throwing everything out in the bins. I dig for records four to five days a week, so there’s always new stuff in here. I do sell new releases and touch a few genres that the other local stores don’t touch.

Beach House

Concert Photos: Beach House @ Kaufleuten (Zurich, Switzerland)

Dream-pop duo Beach House has been touring nonstop since releasing its acclaimed album Teen Dream in early 2010. In February of 2011, the band will return to the USA to play the last of its Teen Dream shows; get your presale tickets and limited-edition sweatshirt here. ALARM foreign correspondent / contributing photographer Wallo Villacorta recently captured these appropriately hazy images at the band’s show at Kaufleuten in Zurich, Switzerland.

Beach House

Liz Janes

Guest Spots: Pop singer Liz Janes on her noisy, experimental past

Though her music might not immediately suggest it, adventuresome pop singer Liz Janes has a particular fondness for noise and drone music.

Janes entrenched herself in the vibrant Olympia music scene before joining Sufjan Stevens and Asthmatic Kitty for albums like Done Gone Fire (2002) and Poison & Snakes (2004). Those albums put a unique spin on classic Americana and blues, but her upcoming album, Say Goodbye (Asthmatic Kitty, 12/7/10), is a pop/soul record built on Janes’ inescapably experimental roots.

Here, in a personal recount of her musical history, her songwriting theory rings especially true: “You can choose any two points to be A and B, and there is always a way to connect the two.”

Liz Janes: “I Don’t Believe” (Say Goodbye, Asthmatic Kitty, 12/7/10)

Liz Janes: “I Don’t Believe” (Say Goodbye, Asthmatic Kitty, 12/7/10)

Drones Are Forever
by Liz Janes

I was a hippy living in a trailer in the coniferous rain forest of Olympia, Washington. Eventually, my endless meandering through the woods brought me into the little downtown. It was there that I stumbled upon the gentle and brilliant rock-poet solo performances of Mirah, Phil Elvrum, and Karl Blau; the kinder-pop of Jenny Jenkins and Super Duo; the pop punk of The Need; the hot, spastic, urgent noise of The Nervous System; and the shrieking, sexy soul of Old Time Relijun.

This sparked for me a new interest in culture. This K Records / Olympia scene was really vibrant and producing truly original and interesting art. So as I was drawn further into culture, and out of the woods, it just got better and better.

Current Gallery: Alphabet exhibit (photo by Eileen Wold)

Gallery Spotlight: Current Gallery

Originally formed by 14 Baltimore artists as a short-term artist cooperative, Current Gallery is now in its second home and is currently functioning as a non-profit gallery and artist studio. The space came to life in 2004, after the initial group of young artists received a grant from the city of Baltimore for a proposal to productively utilize an unoccupied downtown building.
 
 Jordan Bernier: "Flatlands" poster

Grinderman

Concert Photos: Grinderman @ the Riviera

Grinderman: “Heathen Child”
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Grinderman, the debauched incarnation of Nick Cave and key members of his Bad Seeds, is currently on tour in the US, with dates in Australia and England scheduled for early 2011. Contributing photographer Drew Reynolds attended the band’s recent show in Chicago at the Riviera and captured the band’s blues-rock swagger in high-contrast grayscale.

Check out the ALARM’s recent interview with Grinderman and profile of its new album, Grinderman 2.

Grinderman

Grinderman

The Secret

The Metal Examiner: The Secret’s Solve Et Coagula

Every Friday, The Metal Examiner delves metal’s endless depths to present the genre’s most important and exciting albums.

The Secret: Solve Et CoagulaThe Secret: Solve Et Coagula (Southern Lord, 9/28/10)

The Secret: “Double Slaughter”

The Secret: “Double Slaughter”

When Goodfellow Records folded this year, Italian grindcore/black-metal quartet The Secret found itself momentarily without a label following a pair of raging, nihilism-fueled full-length albums.  Those releases suggested (if not insisted) that the group had something new to bring to European metal’s increasingly crowded table.

In the wake of the former label’s dissolution (and the band’s countless lineup changes since), The Secret attempts to regain its footing on Solve Et Coagula, its first outing for Southern Lord and an album almost workmanlike in its sound, structure, and unwavering metal attack.