Music

Interview: The Melvins on getting freaky-pukey with Mr. Bungle bassist Trevor Dunn

This interview appears in ALARM #40. Subscribe here to get your copy!

(The) Melvins: Freak Puke (Ipecac, 6/5/12)

Twenty-one studio full-lengths could spell one thing: redundancy. But the Melvins, whose back catalog reads like the Library of Congress, has recognized and conquered this plague with two tools in hand: reinvention and unpredictable match-ups.

As if writing with Lustmord and Jello Biafra wasn’t enough, Buzz Osborne and Dale Crover recently joined forces with famed Mr. Bungle bassist Trevor Dunn to form “Melvins Lite.” The trio’s first effort, Freak Puke, has it all: bowed and plucked upright bass, metal riffs, classic-rock flourishes, pick harmonics, punishing drums, and Osborne’s distinct vocal delivery. And to bring it to the masses, the band undertook an ambitious fall tour of the 50 United States plus Washington, DC, in 51 days. We chatted with King Buzzo about the band’s (latest) new direction.

Bloc Party

Interview: Bloc Party on new frontiers, life after hiatus, and a return to Bloc rocking

This interview appears in ALARM #40. Subscribe here to get your copy!

Bloc Party: Four (Frenchkiss, 8/20/12)

“Octopus”

Bloc Party: “Octopus”

Rumors of Bloc Party’s demise circulated after it concluded touring on Intimacy in 2009. Front-man Kele Okereke released an electronic solo album in 2010 and hinted in interviews that he might have been replaced in the band. So it’s all the more surprising that the band returned in 2012 with Four, a rawer, more aggressive, rock-based take on the band’s energetic Brit-rock sound that also features a more confident, crooning Okereke. We caught up with the singer/guitarist to talk about new frontiers, making Four, and dropping fiction into interviews.

P.O.S

Interview: P.O.S throws an anarchist dance party

This interview appears in ALARM #40. Subscribe here to get your copy!

[Ed. note: ALARM contributing writer Bobby Markos was improperly uncredited in print. We sincerely regret the error.]

POS: We Don't Even Live HereP.O.S: We Don’t Even Live Here (Rhymesayers, 10/23/12)

“Fuck Your Stuff”

P.O.S: “Fuck Your Stuff”

With an ear for diversity and a mind for critical thought, Stefon Alexander — better known as rapper P.O.S — has maintained operations as a multi-instrumentalist by day and rap artist by night. The early-30-something is a man whose DIY/punk upbringing aligns him more with Ian MacKaye than Kanye West, and that’s reflected in his many and assorted rock-band roles, including his current gig as keyboardist/vocalist for Marijuana Deathsquads.

But no matter the project, Alexander continues to reinvent himself with each release. His latest as P.O.S, We Don’t Even Live Here, is a testament to his 360-degree perspective of both music and the world we live in. Here he discusses what has changed in his life as well as the new album’s danceable vibe and anti-capitalist theme.

The Man with the Iron Fists soundtrack

Review: The Man with the Iron Fists film score

RZA & Howard Drossin: The Man with the Iron Fists film score (Soul Temple, 10/22/12)

You’d be forgiven for thinking that the score for The Man with the Iron Fists doesn’t differ greatly from the soundtrack, opening as it does with an extended, reworked sample from Wu-Tang Clan’s “Shame on a Nigga.” With that one chopped-and-screwed moment, though, what we’re really seeing is a hip-hop sensibility being applied to a score that well compliments its accompanying soundtrack.

ALARM Magazine: Nov/Dec 2012

Free iPad download of ALARM #40 w/ Soundgarden, Refused, Converge

ALARM is back in print, and being the shameless self-promoters that we are, we’d love if you bought a print subscription. But let’s say that you have one of these newfangled “iPads.” Let’s also say that you like free things, particularly those that pertain to awesome music and cultural stuff. In that event, might we direct you to download ALARM #40 (Nov/Dec 2012) for free?

Go here to read about and see what’s inside #40, which includes interviews with and stories on Soundgarden, Refused, Converge, Melvins, Dirty Projectors, Bloc Party, P.O.S, Squarepusher, Fang Island, and more.

Then go to bit.ly/ALARMiPad and click on “view in iTunes” to download that bad boy for $0.00. Mom might not love loud music, but she digs thriftiness. Make mom proud.

How to Destroy Angels

An “Ice Age” comes creeping for How to Destroy Angels

How to Destroy Angels: An Omen EPHow to Destroy Angels: An Omen EP (Columbia, 11/13/12)

Four people sit in a cabin on the seashore, with light coming in through one window and hastily nailed boards over the other apertures. A greenish glow, the only hint of electricity, comes from an instrument that has an opaque purpose. Everyone seems to be waiting for something.

“Ice Age,” the new video from How to Destroy Angels’ An Omen EP, directed by John Hillcoat (The Proposition, The Road, Lawless), is a bleak affair. Minimalist at first, both in scope and music,the song soon makes it clear that time is running out.

Contest: Win a Relapse Records five-CD prize pack!

From its modest roots as a basement mail-order operation to its status as one of the premier independent metal labels, Relapse Records has carved a niche as purveyor of distortion-heavy talent. In addition to a few ALARM favorites from Pig Destroyer, Liberteer, and Primate, this year saw noteworthy releases from Dying Fetus, Baroness, Horseback, Locrian, Serpentine Path, and many others.