The Man with the Iron Fists soundtrack

Review: The Man with the Iron Fists soundtrack

V/A: The Man with the Iron Fists soundtrack (Soul Temple, 10/23/12)

Assembled by rapper/director RZA, the soundtrack for The Man with the Iron Fists aurally delivers on the eyeball-punching promises of his over-the top grindhouse martial-arts movie.

From blues-driven opener “The Baddest Man Alive,” which sees RZA reunite with collaborators The Black Keys, this collection of largely new tracks works as a cohesive album while being eclectic enough to function as accompaniment for a film.

Cramp, Slash & Burn: Punk and glam through the lens of rock photographer John Scarpati

Cramp, Slash and Burn: When Punk and Glam Were TwinsJohn Scarpati: Cramp, Slash & Burn: When Punk and Glam Were Twins (6/22/12)

As a photographer, John Scarpati is well known for his work on album covers, each a dynamic and living piece of art. During the 1980s in Los Angeles, he was the music photographer, an anthropologist of the Sunset Strip, his lens documenting the fashion, sounds, and faces in the era of outrageous musical fashion. Now Scarpati has collected those images in a book, Cramp, Slash & Burn: When Punk and Glam Were Twins.

Jherek Bischoff

Video Premiere: Jherek Bischoff’s “Blossom” f. Wordless Music Orchestra

Jherek Bischoff: Composed (Brassland, 6/5/12)

Jherek Bischoff’s solo album Composed (which we called “immaculately arranged orchestral pop”) was recorded by layering and cutting together single musicians recorded in their living rooms, over his own previously recorded parts. After a successful Kickstarter campaign, however, Bischoff was able to organize a concert at New York’s Merkin Hall with a full backing orchestra.

Pig Destroyer

Review: Pig Destroyer’s Book Burner

Pig Destroyer: Book BurnerPig Destroyer: Book Burner (Relapse, 10/23/12)

“The Diplomat”

Pig Destroyer: “The Diplomat”

After five years of relative inertia, Pig Destroyer — flaring up like an incurable Amazonian virus — is back on the books with Book Burner, a 19-track installation of furious, “misanthropic” grindcore that is as violent as it is relentless. Recorded at guitarist Scott Hull’s Visceral Sound Studios, the album hearkens back to Prowler in the Yard with a raw, live sound that waylays studio artifice for aggression.