Jon Spencer and Matt Verta-Ray, also known as rockabilly group Heavy Trash, are making a “rare return” to the west coast with tour dates from November 7 through the 18th in support of their second album, Going Way Out With Heavy Trash (Yep Roc).
Escultura Social
In the 1970s, German artist Joseph Beuys, famous for his public performances and theories on art, politics, and society, developed the term Social Sculpture. The term, which became monumentally influential and continues to simmer in both the high and low art worlds alike, investigates “how we mold and shape the world in which we live” and led to the equally famous saying, “Everyone an Artist.”
Boys Noize: Oi Oi Oi
German dance producer Alexander Ridha, who records as Boys Noize, creates stark, dirty, and direct tracks with hard, crisp breaks. Leslie Feist, whose breathy track “My Moon My Man” was remixed by Boys Noize into a slow-boiling dance anthem, called the producer’s work “the dirtiest clean I’ve ever heard.”
Parched Finish Debut, Ephel Duath Set Album Deadline for December
Parched, the new side project from Ephel Duath guitarist/founder Davide Tiso, have completed their debut album. The Italian prog-metal heavyweight’s new jaunt consists of a rich, atmospheric sound that tries to “capture and recreate the sound of a desert/urban desert atmosphere.”
Estradasphere Announce Pegasus Vault EP, European Trio Tour
Anomalous genre amalgamators Estradasphere have announced the forthcoming release of The Pegasus Vault EP, a collection of unreleased studio material that will accompany an assortment of leftovers from their last full-length album, Palace of Mirrors.
The Cops: Free Electricity
In this post-Strokes world of taut guitar pop, street-cool crooners, and ubiquitous use of the word “the,” it’s getting awfully hard for down and dirty rock bands to stand out.
Akron/Family
“For us, this is the end of our first era,” says Akron/Family bassist Miles Seaton, discussing his psych-folk band’s third full-length release.
The Bedlam in Goliath Offers Weird Ouija Tale of The Mars Volta
Posted today on the website of prog-fusion poster boys The Mars Volta, a biography on forthcoming full-length The Bedlam in Goliath tells an odd tale of murder, a haunted Ouija board, and band leader/composer Omar Rodriguez-Lopez nearly scrapping the album.
Guns are for Kids: Too Much Red, Not Enough Red
Guns are for Kids mean only harm. In a time when the term “post-punk” refers to any number of hipster joke bands, this group of Australian deconstructionists have created an unromantic, anti-artifice racket that is post-punk while sounding like few of their forebears.
Man Man Signs to Anti- Records, Sets Album for Spring
Philadelphia’s schizophrenic, battle-paint-clad, Gypsy-tinged folk rockers Man Man have announced their signing to Anti- Records. Joining the ranks of icons such as Tom Waits and Neko Case, the band will release their follow up to 2006’s Six Demon Bag (Ace Fu) in Spring 2008.
Bad Brains, Naked Raygun Headline Chicago’s Riot Fest
ALARM Magazine is proud to announce itself as a sponsor of next weekend’s Riot Fest, a two-day Chicago festival headlined by punk legends Bad Brains and Naked Raygun. Organized by Riot Fest Records, the event comprises twenty-two bands, including Stiff Little Fingers, 7Seconds, The Casualties, Dillinger Four, and a reunion of Screeching Weasel predecessor Sludgeworth.
Coalesce
Though the signature sound of newly rekindled Kansas hardcore unit Coalesce — crushing grooves, mathy rhythms, and the trademark tracheal attack of vocalist Sean Ingram (shown left) — stands on its own as a pummeling wall of sound, many fans weren’t turned onto the group until Hydra Head Records released a seven-song cover disc of Led Zeppelin tunes in 1999.