Interview with Tim Fite: Little-T Ain’t Stealin’ No More
For the final installment of his Ain’t trilogy on Anti- Records, singer-songrapper Tim Fite reinvents his own unconventional process. He’s…
11 years ago
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Interview: Sigh’s lucid nightmares inform eclectic, metallic In Somniphobia
Formed in Tokyo in 1990, Sigh isn’t like most extreme metal bands. To the uninitiated: Imagine Mr. Bungle, doubled down…
11 years ago
Interview: Dan Deacon on the importance (or lack thereof) of formal music education
Dan Deacon, electronic music auteur and one-man dance party who has a degree in being a one-man dance party, thinks…
11 years ago
Connectivity and the colossus: Swedish metal mavens Meshuggah on alternate musical pathways
Meshuggah’s constantly shifting approaches to making brutal, esoteric music are instinctively multi-rhythmic and uncompromising. As a result, Koloss -- its…
11 years ago
Doug Stanhope on subversive comedy, NFL aesthetics, and music snobbery
Few comedians are as inspired by sociologist James Loewen as by abortion jokes. But Doug Stanhope, in case you haven’t…
11 years ago
Divorcing convention: Marriages makes post-rock bliss on Kitsuné
With unique elements that force post-rock to evolve, Marriages — featuring members of Red Sparowes and The Nocturnes — brings…
11 years ago
Interview: The Magnetic Fields drops an emotional bathysphere
On Love at the Bottom of the Sea, Stephin Merritt and The Magnetic Fields take an emotional deep-sea journey, summoning…
11 years ago
Interview: Pelican stretches far, geographically and acoustically, on Ataraxia / Taraxis
More than ten years after formation, Pelican still can surprise, showing a new piece of its "creative yang" on Ataraxia…
11 years ago
No Journalists Allowed: Tim and Mike Kinsella, the brothers behind Joan of Arc and Owen
Enjoy some bro-on-bro interrogation as Joan of Arc’s Tim Kinsella and Owen’s Mike Kinsella talk about being musicians, coming off…
11 years ago