This content appears in the July/August iPad edition of ALARM Magazine. Download it for free and keep reading!
“Rolls Bayce (Hudson Mohawke Remix)”
If the appeal of a cover tune rests on an artist’s ability to emulate a preexisting song and bring new flavors to it at the same time, then the remix is something of an estranged relative. With remixes, the implicit goal is to stretch an existing piece of music as far as it can possibly go. Remixers are thus encouraged to let their musical personality eclipse the composer’s. They are essentially hired to take risks, to reconstitute, and to deconstruct — even altogether ignore — the mood, structure, and musical components with which they’ve been given to work.
The end results often qualify as works of art unto themselves, yet they also exist more or less as novelty items. Arguably, few remixes connect with more than a limited niche audience — even for fans of groups like Massive Attack and Depeche Mode — and the thought of a group of remixes working together within the larger framework of a full-length album remains an anomaly.
But that isn’t stopping experimental rock trio Battles from trying.