On a weekly basis, The Groove Seeker goes in search of killer grooves across rock, funk, hip hop, soul, electronic music, jazz, fusion, and more.
Seefeel: Seefeel (Warp Records, 1/31/11)
Seefeel: “Dead Guitars”
[audio:https://alarm-magazine.com/wp-content/uploads/2011/02/02-Dead-Guitars.mp3|titles=Seefeel: “Dead Guitars”]A largely forgotten mid-’90s band that was always ahead of its time, Seefeel has released its first album in 14 years. The self-titled record feels like a debut, and it is to a certain extent, considering the band’s lineup changes. Seefeel explores the territory of electronic outfits such Battles and Emeralds, bands that were influenced by Seefeel’s 1993 debut Quique. It feels like some sort of weird déjà vu. If anything, it’s an impressive rebirth, one that has the group deconstructing the sample-based post-rock style it pioneered before MIDI sequencers were even looked at as viable forms of instruments.
Formed in 1992 in London, Seefeel’s music was once stylistically situated between shoegaze pop and what people were calling “ambient techno.” It had a smooth nonchalance to its music, with ambient electro-pop symphonies strung together by Sarah Peacock‘s sparse, dream-like vocals.
Noise pop is perhaps the best way to describe its music retrospectively — or IDM before IDM was IDM. Though we must not forget those higher on the electronic family tree (Kraftwerk comes to mind), Seefeel’s importance to the scene lies in fending off the “dance” label. What’s more, as the first “guitar” band signed to Warp in 1994, its use of live instruments also speaks to its groundbreaking artistry.
