Intronaut

Q&A: Intronaut on rhythmic concepts and melodic vocals in metal

Intronaut: Habitual Levitations (Instilling Words with Tones)Intronaut: Habitual Levitations (Instilling Words with Tones) (Century Media, 3/19/13)

“Milk Leg”

Intronaut: “Milk Leg”

At a time when the definition of “heavy” music seems to get narrower and narrower, LA quartet Intronaut continues to push forward, continually redefining its own sound and challenging genre conventions. One could call it “post-rock” or “prog/fusion metal,” but labels only serve to limit its sound.

ALARM's 50 Favorite Albums of 2012

ALARM’s 50 Favorite Albums of 2012

Another year, another torrential downpour of albums across our desks. As always, we encountered way too much amazing music, from Meshuggah to The Mars Volta, Converge, Killer Mike, P.O.S, and many more.

Bereft

Review: Bereft’s Leichenhaus

Bereft: LeichenhausBereft: Leichenhaus (The End)

“The Coldest Orchestra”

[audio:https://alarm-magazine.com/wp-content/uploads/2012/04/Bereft_The_Coldest_Orchestra.mp3|titles=Bereft: “The Coldest Orchestra”]

In a field as saturated as doom metal, the only way to make a splash is to play heavier and harder than the band before. Bereft — a Los Angeles quartet featuring members of Intronaut, Graviton, Abysmal Dawn, and The Faceless — is clearly pushing ahead with that mentality on its debut album, Leichenhaus. The seven song, 40-minute onslaught has no breaks and no mercy.