Interview: Aesop Rock on death, the rap scene, and being “old and weird”

Aesop Rock: Skelethon (Rhymesayers, 7/10/12)

“Zero Dark Thirty”

Aesop Rock: “Zero Dark Thirty”

Rap, understandably, always has placed an emphasis on lyrics, but most rappers are content to find the cleverest way to proclaim their sexual prowess and/or ability to rap well and call it a day. Rapper Aesop Rock (born Ian Bavitz), a veteran of now-defunct label Definitive Jux, doesn’t aim so low, shoving allusions, metaphors, and symbols into a motley band of verbosity that’s unmatched in hip hop. This is rap on hard mode. Don’t expect to understand everything he says on first listen (or tenth), a fact that’s earned him both praise and contempt. Case in point: one of the biggest selling points of a 2005 EP was a fat book of his collected lyrics. He returned this past July on Rhymesayers with Skelethon.

Blockhead

Review: Blockhead’s Interludes After Midnight

Blockhead: Interludes After MidnightBlockhead: Interludes After Midnight (Ninja Tune)

“Never Forget Your Token”

[audio:http://alarm-magazine.com/wp-content/uploads/2012/04/Blockhead_Never_Forget_Your_Token.mp3|titles=Blockhead: “Never Forget Your Token”]

Now five albums into his solo output, TonyBlockheadSimon is still more known as a hip-hop producer to the stars — well, perhaps the underground stars, producing for notables such as Del, Murs, and Aesop Rock. But ever since being asked to create a fully instrumental album, Simon has proven just as interesting on his own, offering down-tempo, sample-heavy, and (mostly) rhyme-free rap tracks (all while increasing brand awareness).