Bob Dylan

Kingbee Records

Behind the Counter: Kingbee Records (Manchester, UK)

Kingbee Records in Manchester, England has been around since 1987 and is now one of the last remaining independent record shops in northwest England.

The shop attracts a diverse clientele, and its ability to draw business from collectors and dealers around the world has fueled its success. Though its strengths are numerous, Kingbee is unparalleled in its selection of Northern soul vinyl. We spoke with Les Hare, Kingbee’s owner, and got the lowdown on this music mecca.

Mike holds Kid Canaveral's Shouting At Wildlife
Mike holds Kid Canaveral's Shouting At Wildlife

What was your motivation for starting a music store? / What is your background in music?

Always was a big record collector, then [I] started doing record fairs with my spares, and it kinda carried on from there. I have also deejayed off and on since 1971.

How has Kingbee survived the digital boom?

By having a loyal customer base both locally and across the country. We also get record dealers from Japan regularly visiting to replenish their shop stock. Sales from our website help, but mostly it’s the large amount of stock that we turn over in the shop.

Todd Snider

Guest Spots: Singer/songwriter Todd Snider’s favorite musical storytellers

We asked Todd Snider, to tell us about some of his favorite musical storytellers. What we got was a collection of musings on the writers and performers who have informed his stage persona, which is captured on his new double-disc live album, The Storyteller (Aimless, 2/1/11). Read on for some of “The Storyteller’s” favorite storytellers.

My Five Favorite Musical Troubadours
by Todd Snider

1. Bob Dylan

For me, when it comes to being a fan of a troubadour, I have to laugh with you before I’ll cry with you, simply because most troubadours expect you to cry over their journal entries with them. Most troubadours are awful people. Bob, however, is not. I think he’s America’s finest contribution to the world, of any kind. He does not have a song I don’t like, and while he doesn’t talk much on stage, when he does, it’s precise, funny, wise, and everything else. There really is no point in anyone else doing this troubadour thing. Hell, I once paid for a tape of Bob arguing on the phone…and I thought it was a great album.

Rikki Ililonga

World in Stereo: Rikki Ililonga & Musi-O-Tunya’s Dark Sunrise

Each week, World in Stereo examines classic and modern world music while striving for a greater appreciation of other cultures.

Rikki Ililonga: Dark SunriseRikki Ililonga & Music-O-Tunya: Dark Sunrise (Now-Again, 11/23/10)

Musi-O-Tunya: “Dark Sunrise”

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Gritty garage-rock grooves from mid-’70s Zambia comprise Now-Again Records’ latest release, Dark Sunrise, the double-disc (or three-LP box set), 31-track chronicle of Zambian “Zam Rock” godfather Rizketo Makyua “Rikki” Ililonga and his groundbreaking band Musi-O-Tunya.

The anthology fits Now-Again’s current obsession with Zambia’s 1970s music scene, whose landmark bands WITCH and Amanaz have seen record reissues from the specialized global funk label. But after one listen to the killer rock grooves from Dark Sunrise, with its furious fusion of US/UK/African rhythmic dynamics, fuzzed-out electric guitars, and hypnotic brass sections, audiences will come to understand why the obsession is exceptionally reasonable, if not completely necessary.

Social Distortion

Social Distortion: Another State of Mind

Social Distortion‘s upcoming album, Hard Times and Nursery Rhymes, finds Mike Ness and company reinventing themselves once again, trading in their signature hard-edged punk for a more lighthearted rock-‘n’-roll sound.

The Thermals

The Thermals’ favorite current records

The Thermals: “I Don’t Believe You” (Personal Life, KRS, 9/7/10)

The Thermals – I Don’t Believe You

We asked The Thermals, the Portland pop-punk power trio, to name a few of its favorite recent releases. The band’s drummer, Westin Glass, responded with a list of five records that ranges from radio-friendly pop to an independent artist that calls himself the “black Bob Dylan.” Whether or not you share Glass’ taste, you can appreciate his sentiment that some music exists to help you laugh and get laid.

Jason DeRulo1. Jason DeRulo: s/t (Beluga Heights [Warner Brothers], 2010)

This one may be hard to swallow for you indie-rock fans — but I assure you, it’s worth it. Definitely a “singles” record, with three mega smash hits on Top 40 radio. I first heard Jason DeRulo‘s track “Whatcha Say” blasting on the one working speaker in my friend’s car last year and immediately loved it. The digitally distressed Imogen Heap sample in that song makes for the most memorable hook of 2009.

I also love “Ridin’ Solo,” a great post-breakup, self-psych-up song. Jason DeRulo knows how to make a fucking hit — a bubble-gummy blast of ear sugar that will lighten your mood and get stuck in your head. Speaking of which, his track “In My Head” is stuck in my head right now.

William Elliott Whitmore

William Elliott Whitmore: Poetic Discontent

After three albums that touch on personal topics, the scratchy, soulful material of folk singer and banjo player William Elliott Whitmore gets a thematic overhaul, angling toward subdued political themes.

Heroes Original Television Soundtrack Out March 18th

Heroes Original Soundtrack“For a long time music and comic dork like myself, this project has been a dream come true,” says Errol Kolosine, executive producer of the Six Feet Under soundtrack and now the original television soundtrack to Heroes, out March 18. To accompany the soundtrack, Heroes director Allan Arkush has also created five music video podcasts for Zunesters, available from Zune Marketplace in the weeks leading up to the album’s release. The soundtrack will feature songs from The Jesus and Mary Chain, Nada Surf, Imogen Heap, Wilco, Death Cab for Cutie, David Bowie, and more.

Mirah

Mirah

Sitting in a bustling coffee shop in Seattle, it occurs to me that Mirah Yom Tov Zeitlyn — simply Mirah for the purposes of her records — has nothing to prove.

Since her full-length solo debut, You Think It’s Like This but Really It’s Like This, she’s carved out a niche for herself as a much loved and respected member of the Northwest indie elite, winning accolades for a series of lo-fi albums that have met with broad critical acclaim.

I’m also talking with cellist Lori Goldston and accordionist Kyle Hanson. They don’t have much to prove either. They’ve made their marks in Northwest art music as founding members of Black Cat Orchestra, Spectratone International, and the duo The Shifting Light; they’ve scored silent films and collaborated on dance, music, and theatre projects. Goldston has played with artists like Nirvana, David Byrne, and John Doe.

Though Goldston and Hanson have, in fact, already once collaborated with Mirah by way of Black Cat Orchestra — on To All We Stretch the Open Arm, a collection of politically-minded covers of works by Kurt Weill, Stephen Foster, Leonard Cohen, Bob Dylan, and others — Share This Place is a whole other animal.

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