Each week, World in Stereo examines classic and modern world music while striving for a greater appreciation of other cultures.
Christopher Cavaliere: “Étude 7 (Brazilian March)” (Monrovia Suite, self-released, 8/13/10)
[audio:http://alarm-magazine.com/wp-content/uploads/2010/12/07-Track-7.mp3|titles=Christopher Cavaliere: “Etude 7 (Brazilian March)”]With his self-released album Monrovia Suite, multi-instrumentalist Christopher Cavaliere presents a tightly wound collection of worldly instrumental tracks. Accessible yet avant garde, the album exudes a patience and grace towards composition that may be best demonstrated by those schooled in jazz and classical music.
The young virtuoso, hailing from Bridgeport, Connecticut, has a knack for turning his solo routine into a swelling symphonic experience. In the same style as Frédéric Chopin and other great composers, Cavaliere has titled his songs as études. It’s a compelling choice warranted by the album’s dynamic lushness, timeless guitar intercessions, and rhythmic complexity. The songs can be heard as studies in the sense of composition, arrangement, and tone. For listeners, it’s a helpful way to frame the album, imagining the songs more like movements or motifs in the traditional classical sense.