The most recent album from The Kills, a bluesy rock duo composed of vocalist Allison Mossheart and guitarist Jamie Hince, is subject of a glowing Pop Addict review and received a coveted This Week’s Best Albums selection. That album, Blood Pressures, spans from straight-up rock ‘n’ roll riffing to more down-tempo balladry with ease. And now, the duo is on the road, playing its lauded tunes to audiences all across the country. Contributing photographer Lauren Herrmann captured these shots at a recent show at The Vic in Chicago.
Justin Bartlett has created art for some of your favorite bands and labels: SUNN O))), Intronaut, and Southern Lord, among many others. A self-described “black-ink warlock from the grim and frostbitten raven-realm of Southern California,” Bartlett knows metal and doom aesthetics. It’s only natural that he knows of a few bands you should hear too.
Bands and Artists You Should Know by Justin Bartlett
Constructing a cohesive theme for my guest column at ALARM was not forming in my skull. Top Ten Album Releases for 2010? Top Ten Favorite Artists? Top Ten Fish Tacos? Hmm…nothing.
Perhaps this needs to be more KVLT and underground…Top 10 Cassette Releases? Nah, the tape thing has been played out enough. Bear with me….Top Six Uses of Upside-Down Crosses on Album Artwork? Ah, fuck it, here’s a list of nine bands and visual artists that I enjoy, find inspirational, or simply think are interesting and who you should check out for yourself. All of the visual artists I’ve listed have created artwork for bands, but some of the musicians/bands do not necessarily have outstanding album aesthetics. Either visually or musically (and sometimes both), they weave together textures that are dark, grim, and, to a person with a penchant for the negative, often cathartic.
Blessure Grave was one of the best things to come out of San Diego’s rather lackluster and safe indie music scene for years. Although its post-punk sound gives a nod to some of my favorites — Joy Division, Death In June, The Cure, and The Chameleons — the band played with enough conviction and creativity to avoid being too derivative. Structurally, the band has a very strong pop drive to its material with an underlying bedroom black-metal atmosphere. Blessure Grave released a ton of EPs on vinyl and cassette, and Judged by Twelve, Carried by Six was one of my favorite releases of 2010. Unfortunately, the band broke up recently, but luckily I was able to work on a cassette cover for When I Die before its demise. Blessure Grave’s mastermind, Tobias [Grave], started a new band called Soft Kill.
You never thought it could happen in your wildest drone-metal dreams, but it has: noise honchos Ted Parsons (Swans, Jesu, Godflesh), Aiden Baker (Nadja), and Colin Marston (Krallice) have joined James Blackshaw (Current 93), Marissa Nadler, Vern Rumsey (Unwound), and many others to work with R. Loren of Pyramids in his collaborative project titled Sailors with Wax Wings.
The debut self-titled album is due for release on September 28, via Angel Oven Records, and the project has premiered the song “And Clash and Clash of Hoof and Heel”with accompanying video.
