Cut Copy Archives

Pop Addict: M83’s Hurry Up, We’re Dreaming

Every Thursday, Pop Addict presents infectious tunes from contemporary musicians across indie rock, pop, folk, electronica, and more.

M83: Hurry Up, We’re Dreaming (Mute, 10/18/11)

M83: “Midnight City”

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We live in an increasingly digital age. In this new era, certain elements associated with music have taken a hit: packaging, album artwork, tracks strategically placed on side A or B of a record, the creative complexities that go into double albums — basically, anything that made putting out a record as much of an artistic statement as a musical one. M83, however, is bent on keeping that aesthetic alive.

Of course, in order to do this, Anthony Gonzalez, the front-man for the French electro-pop outfit, had to create an album that actually mattered. He had to make an album that would transcend genre and time period, one that would eclipse the mass amounts of other records released this year. He had to put something out that was over the top, epic, anthemic — and so M83 did just that.

Pop Addict: Washed Out’s Within and Without

Every Thursday, Pop Addict presents infectious tunes from contemporary musicians across indie rock, pop, folk, electronica, and more.

Washed Out: Within and Without (Sub Pop, 7/12/11)

Washed Out: “Amor Fati”

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In 2009, indie-electronica novice Ernest Greene appeared on the scene under the moniker Washed Out, offering an accessible and diverse dose of new wave with the impressive Life of Leisure EP. The debut recording delved into a re-imagined electronica sound, taking cues from mid-’80s synth heavyweights and incorporating a modern twist. It was a very bright start, but it was only a matter of time before Greene’s fresh, revitalized “chillwave” sound was put to the test on a full-length effort.

Two years later, Washed Out has returned with a proper LP — Within and Without — that expands on that initial, unique sound. Employing a glut of synths and electronic beats, Washed Out has taken new wave to a whole new level, modernizing the sound and legitimizing the genre. Mixing slowed dance beats with synth-heavy arrangements and various electronica ornamentations, Washed Out has put together a solid, unified offering.

Within and Without’s soothing soundscapes stem from the standout opener, “Eyes Be Closed.” Integrating waves of synth with steady drumming and atmospheric strings, the track moves fluidly, fluctuating between Washed Out’s subtle yet complex inner workings. There are a lot of things going on musically, with ocean-like soundscapes pulling in and out, shoring up with spastic, spaced-out keys and a sea of, well, “washed out” and reverberated vocals that submerge into the rest of the song, becoming musical textures within themselves.

Pop Addict: Cut Copy’s Zonoscope

Every Thursday, Pop Addict presents infectious tunes from contemporary musicians across indie rock, pop, folk, electronica, and more.

Cut Copy: Zonoscope (Modular, 2/8/11)

Cut Copy: “Take Me Over”

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Indie has evolved drastically over the years. The genre is defined differently by anyone, and for good reason. In the past decade alone, it has borrowed from nearly every genre of music, with a plethora of bands infusing their music with rock, blues, jazz, folk, techno, metal, shoegaze, dubstep — the list goes on and on. Keeping in step with this pattern, indie has recently developed a kinship to dance pop, and it has fully embraced the metamorphosis that it underwent in the past few years.

The transition was perhaps at its peak in 2008, when widely unknown Cut Copy burst on the scene with the exceptional In Ghost Colours. The Australia-based band was armed with an expansive sound, showcasing soaring dance-pop anthems and a good portion of sunnyside-up indie pop. The album fused elements of dance, rock, pop, techno, and more together, offering an action-packed LP that was bent on making you move and sway whether you wanted to or not.