When I first read Adrian Tomine’s graphic novel Shortcomings more than a year ago, I was struck by two things: the comic’s sensitive and honest portrayal of modern race relations, and the wonderfully clean art style. The former proceeds mostly from Tomine himself, a fourth generation Japanese American. The latter is strongly inspired by modern masters of the medium like Daniel Clowes and the Hernandez brothers, and it results in evocative illustration that recalls classic comic art of the 1950s and even Roy Lichtenstein.
