Blaspherian

The Metal Examiner: Blaspherian’s Infernal Warriors of Death

Every Friday, The Metal Examiner delves metal’s endless depths to present the genre’s most important and exciting albums.

Blaspherian - Infernal Warriors of DeathBlaspherian: Infernal Warriors of Death (Deathgasm Records, 3/8/11)

Blaspherian: “Infernal Warriors of Death”

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The cover art of Infernal Warriors of Death bears a striking resemblance to Dawn of Possession, so it’s no surprise that Blaspherian‘s debut full-length shares quite a bit with early Immolation. Although formed in 2004, Blaspherian is far from prolific, having only released a demo, an EP, and a few splits previous to this recording. Its 2007 EP was a respectable old-school death-metal release, but it was not enough of a unique statement to set it apart from the classic bands of the early ’90s and late ’80s.

However, with Infernal Warriors of Death, Blaspherian has claimed its spot in Texas’ long history of extreme metal. This is crowded territory, as the state has offered up one of the genre’s initial classics in Necrovore‘s Divus de Mortuus demo, underrated technical thrash bands in Rigor Mortis and Dead Horse, and two of the most compelling United States black-metal bands in Absu and Averse Sefira.

Inquisition

The Metal Examiner: Inquisition’s Ominous Doctrines of the Perpetual Mystical Macrocosm

Every Friday, The Metal Examiner delves metal’s endless depths to present the genre’s most important and exciting albums.

Inquisition: Ominous Doctrines of the Perpetual Mystical MacrocosmInquisition: Ominous Doctrines of the Perpetual Mystical Macrocosm (Hell’s Headbangers, 1/11/2011)

Inquisition: “Crepuscular Battle Hymn”

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Initially formed as a thrash band in the ’80s in Colombia, Inquisition developed a buzz-saw, black-metal sound by the mid-’90s while simultaneously relocating to Washington. Its trademark became lightning-speed, grinding power chords and an atmosphere of ritualistic Satanism.

Since Into the Infernal Regions of the Ancient Cult in 1998, Inquisition has stuck to its sound with a Motörhead-like tenacity. Its newest effort, Ominous Doctrines of the Perpetual Mystical Macrocosm, is its strongest output since Magnificent Glorification of Lucifer in 2004.

Pop Montreal

Contest: Win tickets and a Pop Hopper wristband for Pop Montreal

From September 29 to October 3, the ninth annual Pop Montreal international music festival runs in dozens of venues and involves more than 400 musicians, visual artists, filmmakers, and independent cultural entrepreneurs.

This year’s five-day festival includes performances by Swans, Marnie Stern, Gotan Project, Holy Fuck, Municipal Waste, Menomena, Liars, Arrington de Dionysio‘s Malaikat dan Singa, The Budos Band, Portico Quartet, Xiu Xiu, Buke & Gass, Mount Kimbie, Immolation, and many more.