Immortal Technique

Pharoahe Monch

Beats & Rhymes: Pharoahe Monch’s WAR (We Are Renegades)

Each Monday, Beats & Rhymes highlights a new and notable hip-hop, rap, DJ, or electronic record that embraces independent sensibilities.

Pharoahe Monch: We Are RenegadesPharoahe Monch: WAR (We Are Renegades) (Duck Down, 3/22/11)

Pharoahe Monch: “Black Hand Side”

[audio:http://alarm-magazine.com/wp-content/uploads/2011/03/Pharoahe_Monch_Black_Hand_Side.mp3|titles=Pharoahe Monch: “Black-Hand Side”]

Hip-hop veteran Pharoahe Monch is a lyrical force of nature, with an ability to rap complex rhymes with a muscular, rhythmic, and seemingly effortless flow. Even after 20 years, the quality of his three albums with Prince Poetry (as part of Organized Konfusion) hasn’t been diminished.

His first solo LP in 1999, Internal Affairs, was a more thug-inspired record that saw Monch making a significant move towards mainstream success, until legal battles over lead single “Simon Says” and its unlicensed Godzilla sample torpedoed its climb. Monch laid relatively low for the next eight years, releasing occasional singles and guest spots before presenting the soulful and inspired Desire in 2007.

Thankfully, he didn’t make the world wait as long for his third solo album, WAR (We Are Renegades).  On his latest, Monch doesn’t waste time reaffirming his place as one of the genre’s best, frequently employing polysyllabic rhymes and repeated sounds that move beyond the simple AABB end rhymes on which many rappers lean. He boasts about this on the standout “Evolve,” describing himself as “The anomaly / your mama nominated me phenomenal / I dominated without a six-pack abdominal.” The machine-gun assonance on display here is just one example of the lyrical complexity that Monch brings to the record.

DC the MIDI Alien

Beats & Rhymes: DC the MIDI Alien’s Avengers Airwaves

Each Monday, Beats & Rhymes highlights a new and notable hip-hop, rap, DJ, or electronic record that embraces independent sensibilities.

DC the MIDI Alien: Avengers AirwavesDC the MIDI Alien: Avengers Airwaves (Brick Records, 2/15/11)

DC the MIDI Alien: “National Threat”

[audio:http://alarm-magazine.com/wp-content/uploads/2011/02/DC_the_MIDI_Alien_National_Threat.mp3|titles=DC the MIDI Alien: “National Threat”]

During his 10 years of deejaying, DC the MIDI Alien has racked up an impressive résumé. He’s worked with Immortal Technique, AZ, and Wordsworth as well as remixed Nas and others. In 2008, he formed the group East Coast Avengers with MCs Esoteric and trademarc, and their gritty, politically charged debut Prison Planet garnered them national media attention with its lead single, “Kill Bill O’Reilly.” DC returns this February with a semi-solo LP, Avengers Airwaves, which further cements him as a force to be reckoned with in the hip-hop world.

DC produces the record and brings in a gaggle of rappers to provide the rhymes — from his East Coast Avengers bandmates to Jedi Mind Tricks’ Vinnie Paz and DJ Premier acolyte Termanology. DC’s production style is decidedly old-school: the songs are built on steady, mid-tempo drum beats with only a few looped samples. Standout track “Man Made Ways” exemplifies DC’s old-school skill — an echoing, droning organ loop creates an atmosphere of paranoia and foreboding, punctuated by bursts of loud, crunching guitar. The production doesn’t falter throughout, recalling early RZA with DC’s ability to create maximum effect with minimalist beats. Although DC doesn’t speak a word on the record aside from skits, the album has every right to bear his name on the cover.