Jesus Lizard

The Groove Seeker: The Dead Kenny Gs’ Operation Long Leash

The Groove Seeker goes in search of killer grooves across rock, funk, hip hop, soul, electronic music, jazz, fusion, and more.

The Dead Kenny Gs: Operation Long Leash (The Royal Potato Family, 3/15/11)

The Dead Kenny Gs: “Black Truman (Harry the Hottentot)”

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Smooth-jazz lovers beware.  As an antidote to the polished alto saxophones and rarely improvised easy-listening jams of adult contemporary music, eccentric jazz trio The Dead Kenny Gs has released its second album, Operation Long Leash.  Given its play-on-words moniker that simultaneously drives a sock down the mouth of smooth-jazz king Kenny G and recalls the early ’80s hardcore-punk band The Dead Kennedys, the powerhouse trio taps into a sound that fuses jazz and punk.  It’s a crazy mix that works surprisingly well, played intensely by a group that has the skill and knowledge to pull it off.

Composed of three of the members of legendary Seattle-based Critters Buggin — bassist Brad Houser, drummer and vibraphonist Mike Dillon, and saxophonist Skerik — the band uses its genre-mashing experience to anchor it all down.  The trio has played in countless projects together, including all three in The Black Frames, and Dillon and Skerik comprise half of Garage a Trois.  Needless to say, the three have run in the same circles for more than two decades, playing hybrid styles that are everything but conservative.

Young Widows

Q&A: Young Widows

Young Widows: In and Out of Youth and LightnessYoung Widows: In and Out of Youth and Lightness (Temporary Residence, 4/12/11)

Young Widows: “Future Heart”

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Though not a strict departure from previous material, the new album by post-hardcore outfit Young Widows displays a different phase of the band’s career. Calling it a “progression” might apply regressive traits to its first two albums, but In and Out of Youth and Lightness turns down the Cro-Magnon wallop and continues the band’s history of accomplished noise rock.

Its last album, Old Wounds, was a mostly live recording by Kurt Ballou (Converge, Coliseum, Pygmy Lush). In contrast, the new album was produced by the band and Kevin Ratterman (My Morning Jacket) at The Funeral Home in its hometown of Louisville, Kentucky. Guitarist and vocalist Evan Patterson joined us to answer a few questions about the band’s songwriting process and what bands people should check out.

How do you describe your music?

I don’t, but if you were a clerk at a gas station, I would tell you that we are a rock band. That’s as far as I can go.

On the new album, there’s a bit of a weird blues influence — less Jesus Lizard pummel and more of a Liars atmospheric vibe. What did you want to do new or different? What did you want to keep the same?

Music has to progress. There are no specific influences. The goal with this album was to find my voice, and that was wholeheartedly achieved. Lyrically, [they’re] the heaviest and most affective songs that I’ve created. Old blues has that same effect on me. It speaks to me. The bridge between modern rock music and blues is a short one, and it’s inevitable that those characteristics will be riding in the same vehicle to achieve certain goals.

Akimbo: Historical Sharks

On its sixth full-length record Jersey Shores, Seattle hardcore three-piece Akimbo proves that real life is scarier than fiction.

Qui queues up for new album release

Though Qui has been a band for seven years, chances are, to some, they’ll be perceived as a brand new project. Since its inception, guitarist/vocalist Matt Cronk and drummer/vocalist Paul Christensen have been slugging it out as a two-piece, releasing their previous full-length, Baby Kisses, in 2003.