Floratone

Q&A: Floratone

Floratone: II

Floratone: II (Savoy Jazz, 3/6/12)

Floratone: “Move”

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Following its 2007 debut, Floratone was established as a highly collaborative and innovative musical force with no lack of original ideas. Comprised of guitarist Bill Frisell, drummer Matt Chamberlain (Critters Buggin), and producers Lee Townsend and Tucker Martine, the collective concerns itself with the art of “spontaneous compositions,” an approach that crosses from improvised jam sessions to cut-up production work and back again.

Floratone II was recorded over a two-year period, molded from a collaborative process of Frisell and Chamberlain laying down improvised musical motifs that were finished by accompaniments and tweaks from Townsend and Martine. For the second go-round, the members seem to have settled into a stronger dynamism, carving out vibrant layers of well-spaced grooves, rhythms, electronic ambience, and synth bursts.

And if the project wasn’t virtuosic enough, guest spots from Ron Miles, Eyvind Kang, Mike Elizondo, and distinguished soundtrack composer and producer Jon Brion make sure that all grounds are covered. We caught up with Martine to talk about the new record, Floratone’s collaborative process, and some of his favorite producers of all time.

Antonionian

Guest Spots: Antonionian’s top forthcoming film scores

Antonionian: AntonionianAntonionian: Antonionian (Anticon, 3/15/11)

Antonionian: “Into the Night”

[audio:https://alarm-magazine.com/wp-content/uploads/2011/01/06-Into-The-Night.mp3|titles=Antonionian: “Into The Night”]

Antonionian, a.k.a. Anticon affiliate and multi-instrumentalist Jordan Dalyrmple, is known for his drumming and production work with Subtle, General Elektriks, and 13 & God. His solo-project name, Antonionian, is inspired by Italian cinema auteur Michelangelo Antonioni. In this piece, penned exclusively for ALARM, Dalrymple picks four upcoming film releases to watch and, more specifically, hear.

Four Forthcoming Film Scores
by Antonionian

1. Cosmopolis by Howard Shore

The general public might know him from the Lord of the Rings movies or, more recently, the Twilight series, but to me, Howard Shore‘s most compelling work has been in collaboration with director David Cronenberg. Starting with The Brood in 1979, Shore helped introduce the “body horror” genre with his dissonant orchestration and spooky synth washes. Videodrome and Naked Lunch wouldn’t be the surreal classics they have become without his otherworldly aural vision. I’m very interested to hear and see what the duo does with a Don Delillo adaptation. Info at www.cosmopolisthefilm.com.

Weekly Music News Roundup

Fantômas
Fantômas

Fantômas plays The Director’s Cut in its entirety, Jon Brion posts an instrumental tune, Tim Fite releases a free Halloween EP, MySpace posts the Ben Folds Five performance of The Unauthorized Biography of Reinhold Messner, and much more…