Morrow vs. Hajduch

Morrow vs. Hajduch: Mikrokolektyw’s Revisit

Scott Morrow is ALARM’s music editor. Patrick Hajduch is a very important lawyer. Each week they debate the merits of a different album.

Mikrokolektyw: RevisitMikrokolektyw: Revisit (Delmark, 6/15/10)

Mikrokolektyw: “Running Without Effort”
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Hajduch: Mikrokolektyw (pronounced micro-collective) is the Polish duo of Kuba Suchar and Artur Majewski. Together, they make a very primal sort of experimental jazz, rooted in Suchar’s one-man rhythm section of drums and Moog. Atop this framework, Majewski adds restrained, thoughtful trumpet lines. The result is head-nodding and hypnotic, and at times would not sound out of place in an Italian horror film scored by Goblin.

It also sounds like classic Chicago jazz fusion, like what Rob Mazurek‘s Isotope 217 and various Chicago Underground ensembles have accomplished.  The sparse, melodic trumpet playing owes a lot to Miles DavisIn a Silent Way, and there’s a punchy moment of ensemble playing (here, “ensemble” means Majewski doubled) in “Watermelon from the 80s” that sounds like a riff from a Fela Kuti song.  This guy would definitely call the cops on this album.

Circle of Animals

The Metal Examiner: Circle of Animals’ Destroy the Light

Every Friday, The Metal Examiner delves metal’s endless depths to present the genre’s most important and exciting albums.

Circle of Animals: Destroy the LightCircle of Animals: Destroy the Light (Relapse, 10/12/2010)

Click here to download Circle of Animals’ “Poison the Lamb”
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Producer/multi-instrumentalist Sanford Parker (Minsk, Buried at Sea) and saxophonist Bruce Lamont (Yakuza) have long and assorted ties in and around Chicago, where the two reside and contribute to the city’s vibrant underground.

Parker, in addition to his main gig in Minsk, has produced the likes of Pelican, Rwake, Unearthly Trance, Jai Alai Savant, Lair of the Minotaur, and Nachtmystium, and Lamont, outside of Yakuza, recently finished recording a solo album and regularly plays with other experimental metal and noise outfits (Decayist, Sick Gazelle) as well as improvised-jazz players (Jeff Parker, Ken Vandermark, Dave Rempis).

Each man’s résumé is a mile long, and now the two have come together to pay tribute to Chicago’s late-’80s and early-’90s Wax Trax! industrial scene with their new project, Circle of Animals. A diverse and widely recognizable cast of drummers rounds out the lineup on this release, with names like Dave Witte (Discordance Axis, Municipal Waste), John Herndon (Tortoise), John Merryman (Cephalic Carnage), and Steve Shelley (Sonic Youth) lending their talents.

Poster Art: Dan Grzeca’s paint-inspired screen prints

Fifteen years ago, Chicago artist Dan Grzeca (pronounced Jet-sah) was painting.  It was the ’90s, and Bob Hartzell and Steve Walters of Screwball Press introduced him and a slew of other artists, including Jay Ryan, to screen printing — specifically, poster making.  “That’s one of the reasons Chicago has such a rich pool of talent,” Grzeca says.  “It’s very self-perpetuating with older artists inspiring and encouraging new, younger artists.”

Jason Adasiewicz: Virtuosic Jazz Vibraphonist

Jason Adasiewicz has made a name for himself as a strong, unique voice in Chicago’s rich underground jazz and improvisational scene. He has lent his gorgeous, melodic vibraphone playing to literally dozens of ensembles and recordings, weaving his way through the highly collaborative network of progressive improvisers that has established itself in the clubs and practice spaces of Chicago.

Weekly Music News Roundup

A tentative lineup for Zorn Fest 2009 is posted; math metallists The Dillinger Escape Plan have another new drummer; rock cellist Helen Money just finished a new album; tour dates have been announced for Lymbyc Systym, the Alex Skolnick Trio, and the Extra Action Marching Band.

Read about this and more in our roundup.