Kjartan Sveinsson

Sigur Rós

Review: Sigur Rós’ Valtari

Sigur Rós: ValtariSigur Rós: Valtari (XL, 5/29/12)

“Ekki Múkk”

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Things haven’t looked good for Icelandic “post-rock” act Sigur Rós in recent years. In light of the front-man Jónsi’s well-received solo album Go and massive world tour, an “indefinite hiatus” looked more like an end. The band even scrapped an entire album that it recorded in 2009. Speculation about the band’s future has been intense: when it announced its sixth studio album, Valtari, rumors ranged from the overly optimistic (that it was one of two new albums) to the dire (that the quartet was splitting up for good).

The truth turned out to be a bit muddier. The band wasn’t breaking up, but multi-instrumentalist string arranger Kjartan Sveinsson was sitting out the forthcoming tour. In other news, the band is releasing a “mystery film” for each song — videos made by directors working independently of one another. As for Valtari, the band’s new album, it makes a statement of its own.

Ólöf Arnalds

Pop Addict: Ólöf Arnalds’ Innundir Skinni

Every Thursday, Pop Addict presents infectious tunes from contemporary musicians across indie rock, pop, folk, electronica, and more.

Ólöf Arnalds

Ólöf Arnalds: Innundir Skinni (One Little Indian, 9/14/10)

Ólöf Arnalds: “Surrender”
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Icelandic singer and multi-instrumentalist Ólöf Arnalds has crafted an intimate and lovely sophomore record, Innundir Skinni, released on the London-based label One Little Indian. Arnalds, a touring member of Múm since 2003, follows up Við og Við – voted Iceland’s Record of the Year in 2007 – with nine songs produced by Sigur Rós keyboardist/multi-instrumentalist Kjartan Sveinsson.

Classically trained on the violin and viola, and self-taught on the guitar and charango, Arnalds enlists the help of fellow Icelandic musicians Skúli Sverrisson, Davið Þór Jónsson, and Björk as well as Secret Chiefs 3 contributor Shahzad Ismaily.

Innundir Skinni – “Under the Skin” in English – is largely an album of balance, of the ebb and flow between quiet moments and orchestral bursts. It’s a calm yet affecting album, due in large part to Arnalds’ vocal charm. For the many instruments she plays, her most enchanting tool is her voice — at times folksy and melodic, at others high-pitched and lilting – drawing comparisons to Kate Bush and, in rare moments, Joanna Newsom. Yet her style, acutely Nordic, is distinctly her own.