POPshop & Spazz Records

Behind the Counter: POPshop & Spazz Records (West Monroe, LA)

Each week, Behind the Counter speaks to an independent record store to ask about its recent favorites, best sellers, and noteworthy trends.

POPshop & Spazz Records in West Monroe, Louisiana, is a record store and art boutique run by Brad and Leslie Richman. With a focus on metal and punk, the dual-purpose storefront is, according to its owners, the only store in the area to carry new vinyl releases. For its favorite-record photos, Brad, Leslie, and employee Erica Hijazi went all out, coordinating their clothing (and beverages) with their picks. It’s that attention to detail that makes POPshop & Spazz the focus of this week’s column.

What is Spazz Records, and how does POPshop figure into the equation?

Spazz Records has been in existence for about four years. It began as a small record store and venue for weekly open mic performances, band shows, and other events. We’ve recently moved and expanded to become both a record shop (with used and new vinyl, CDs, and cassettes) and a unique boutique, POPshop, full of local art, handmade goods, and other cool stuff. We still host free monthly all-ages shows for local bands, and participate in local events and charities.

Pop Shop & Spazz Records

What is the musical community like West Monroe, Louisiana?

Our area is made up of Monroe, West Monroe, and several other smaller towns in Northeast Louisiana. There has always been a strong musical presence at any given time, with styles and bands changing through the years. We have outdoor festivals such as Delta Fest and Celtic Fest, as well as year-round schedules of local and touring bands playing at various bars, clubs, and other venues. We are proud to carry several local bands’ releases, and we are active in helping promote local music.

Zine Scene: Pink Noises

For the past ten years, Tara Rodgers, a.k.a. Analog Tara, has dedicated herself to studying female electronic musicians and the evolving dynamic of gender, creation, and community. With her website, PinkNoises.com, she publishes interviews, investigates the supposed dearth of women in electronic music, and develops collaborative relationships with the many fascinating women that she finds.

In a new book, Pink Noises: Women On Music and Sound (Duke University Press), Rodgers republishes and expands 24 of those interviews (including Ikue Mori, Le Tigre, and DJ Rekha), along with some striking black-and-white photographs and academic meditations on the meaning of her project.  Along the way, she tries to address some of those big questions of gender and music with what she has learned in the past decade.