Interview: Swans crafts “total experience” on double album The Seer

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Swans: The SeerSwans: The Seer (Young God, 8/28/12)

“The Apostate” (edit)

Swans: “The Apostate” (edit)

The Seer, the new double album that follows Swans’ productive 2010 reunion and studio return, is a space in which to wander in furious mediation — as songwriter Michael Gira puts it, a “total experience.” Dense without losing immediacy, the album stretches over two hours of constantly shifting aural landscapes. This is a work to be enjoyed second by second, losing your mind to its deceptive repetitions.

Low

Record Review: Low’s C’mon

Low: C'monLow: C’mon (Sub Pop, 4/12/11)

Low: “Try to Sleep”

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After more than 15 years of stringing together grim, minimalist lullabies that are equally at home on long walks through moonless winter eves or in well-lit churches, slowcore stalwart Low has begun to experiment a bit more with the trappings of, and opportunities created by, modern music. On its ninth record, C’mon, the band blends its signature brand of melancholia with bouncing, uptempo electronic textures, giving the 11 songs a lively, volatile feel.

In the third track, “Witches,” guitarist/singer Alan Sparhawk advises listeners to confront their problems with a baseball bat, and in the same spare voice, he tells guys who “are trying to act like Al Green” that they are weak. He sings this over drummer/vocalist Mimi Parker’s characteristically haunting “ooos” and “ahhs,” while a choppy, lighthearted guitar riff drifts over barely audible acoustic-guitar (or banjo?) plucking. Much like the song “Hatchet” on the band’s previous effort, Drums and Guns, “Witches” is a catchy number that adeptly references select facets of pop-music history and, in doing so, reveals a playful side of the band.

Low

Record Review: Low’s Live At Eindhoven EP

Low: Live at Eindhoven EPLow: Live at Eindhoven EP (self-released, 12/8/10)

Low: “Silver Rider”

[audio:http://alarm-magazine.com/wp-content/uploads/2010/12/02-Silver-Rider.mp3|titles=Low: “Silver Rider”]

On January 22, 2009, veteran post-rock band Low played a set at the St. Catherina Church in Eindhoven, The Netherlands. That performance was recorded and has been subsequently released as the free Live At Eindhoven EP. It boasts a more grandiose setup than the average Low show; its four tracks feature a five-person chorus, an extra keyboard player, and two musicians backing the band on percussion and vibraphone. The album succeeds in capturing the tangible and intangible qualities alike that make Low such a lovely, wrenching live band.