Morrow vs. Hajduch

Morrow vs. Hajduch: PVT’s Church With No Magic

Scott Morrow is ALARM’s music editor. Patrick Hajduch is a very important lawyer. Each week they debate the merits of a different album.

PVT: Church With No Magic

PVT: Church With No Magic (Warp, 8/10/10)

PVT: “Light Up Bright Fires”
[audio:http://alarm-magazine.com/wp-content/uploads/2010/09/PVT_Light_Up_Bright_Fires.mp3|titles=PVT: “Light Up Bright Fires”]

[Stream all of Church With No Magic on PVT’s website.]

Morrow: Formerly known as Pivot, Australia’s PVT was formed as an improvisational quintet in the late 1990s before transitioning to an electro-rock trio.  The group maintained a number of experimental, freeform elements, but it focused on synth grooves and a mixture of live and digital beats.

Its new album, Church With No Magic, is its most composed yet, seemingly dropping the improv parts while delivering some major pop melodies and vocal hooks.

Hajduch: Most of this album sounds huge and energetic, and surprisingly unique for how boldly the band wears its influences on its sleeve.  The echoed vocals of the title track, in particular, sound exactly like Suicide without coming off as mimicry.  (The best example of Suicide worship, by the way, is The Cars‘ “Shoo Be Doo,” which is terrifying and unexpected.)