Scott Morrow is ALARM’s music editor. Patrick Hajduch is a very important lawyer. Each week they debate the merits of a different album.
Polinski: Labyrinths (Monotreme, 11/8/11)
Polinski: “Tangents”
[audio:https://alarm-magazine.com/wp-content/uploads/2011/11/Polinski_Tangents.mp3|titles=Polinski: “Tangents”]Morrow: Following its first three albums, England’s 65daysofstatic took a step away from its experimental beginnings — when it collided instrumental post-rock with glitchy breakbeats — to craft an album that was more a fusion of rock and dance. (Think of Holy Fuck, only moodier and with more of the band’s core elements.) Now 65DOS computer dude Paul Wolinski has headed straight to the dance floor for his solo debut. It’s purportedly inspired by the darker synth sounds of 1970s and ’80s sci-fi flicks, but even though there is the occasional John Carpenter moment, Labyrinths is much more clubby than scary.
Hajduch: I like how the promo MP3s came all in ALL CAPS and look like the music of a CRAZY PERSON. The tunes are a bit busy and energetic for the Carpenter comparison – they’re more like a Rustie that’s been toned down. Opener “1985-QUEST” sounds exactly like the title. You could watch VHS end-credits to it, or maybe do some aerobics. If anything, the clubby bombast here sounds a lot like Gatekeeper, which does the “horror disco” thing about as well as anyone could hope to.
