Inspired less by drummers and more by instrumentalists such as John Coltrane, Jimi Hendrix, and Ornette Coleman, drumming virtuoso Zach Hill begins his journey as a bandleader with Astrological Straits.
Jazz bassist Melvin Gibbs is an extremely diverse musician, and this musical diversification is exemplified by his new project, Melvin Gibbs’ Elevated Entity.
Hailed by some as the “best bassist in the world,” Gibbs expands his palette further on his forthcoming record, Ancients Speak, including tastes of Brazilian hip hop and African Yoruba culture.
As we enter 2009, here is a look back at our favorite posts from last year — including Q&As and interviews with Tuareg freedom singers, Japanese-infused prog metallists, and a regretful folk rapper as well as columns, top-ten lists, Lollapalooza coverage, and our DIY venue spotlight.
Hard-hitting jazz trio The Bad Plus knows how to pen pieces of proprietary gold. But its three members are also known for their genre-leaping renditions of rock songs, propelled by the chops of pianist Ethan Iverson, bassist Reid Anderson, and drummer David King. Here are the group’s ten best covers.
Just prior to an acrimonious breakup in 1998, Swedish hardcore group Refused released its magnum opus, The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts. It was as much an assault on capitalist philosophy as it was a striking stylistic evolution, and it did its best to advance hardcore in the way that its titular influence, Ornette Coleman’s The Shape of Jazz to Come, did with jazz.
Highly regarded musicians Rob Mazurek and Bill Dixonof Exploding Star Orchestra combines classical music with the cosmos for a truly astounding ensemble.
Scott Rosenberg of P.A.F. fame brought together a motley crew of musicians to form Pink Mountain. What resulted was something no one could have expected: a sprawling twelve-song marriage of psych, prog, krautrock and freeform jazz that is fueled by a synergistic array of influences.