Efterklang can hear dead people, or so it seems. Perhaps that’s why the Danish post-rock ensemble visited Pyramiden — a ghost town on the Arctic Norwegian island of Spitsbergen — to create its new album of similar name.
At the abandoned Russian settlement, its members wandered a landscape of streams and mountains, recording the sounds of seabirds, footfall, and rushing wind. In the studio, they added the ethereal vocals of a choir and the chime-like peals of a glass-bottle collection. Whether or not these sounds are messages from another realm, they summon haunting melodies and shiver-inducing rhythms. It makes perfect sense, considering that “efterklang” means remembrance and reverberation.