Busdriver

Q&A: Busdriver

Busdriver: Beaus$ErosBusdriver: Beaus$Eros (Fake Four, 2/21/12)

Busdriver: “Kiss Me Back to Life”

[audio:http://alarm-magazine.com/wp-content/uploads/2012/02/Busdriver_Kiss_Me_Back_to_Life.mp3|titles=Busdriver: “Kiss Me Back to Life”]

Rapping since age 9, LA art rapper Busdriver (born Regan John Farquhar) has had nearly a quarter century to develop his distinct style and lightning-fast delivery. He’s been known to break rules and defy hip-hop conventions, but his latest release, Beaus$Eros, is perhaps his strangest yet — a blend of beats and avant-garde pop.

Centered on both personal and professional failure, Beaus$Eros (“bows and arrows”) is more emotionally intense than the socially conscious rap he has produced for years, and it comes across in his strange, sweeping croons that come to the fore on this record. Delivered with Belgian producer Loden’s epic, pulsing beats, the result is unlike anything we’ve heard from him before — and it’s undeniably catchy.

“Kiss Me Back to Life” almost entirely forgoes hip hop as a hook-filled offering for the dance floor. But if you’re searching for the Busdriver that you know and love, you still have a bit in “NoBlacksNoJewsNoAsians,” where he spews cryptic, politically charged lyrics with his signature auctioneer-like delivery.

ALARM recently caught up with Busdriver to discuss the new direction as well as the trials that have come with releasing Beaus$Eros.