Studio Visit: Key Club Recording Company

Benton Harbor, Michigan, isn’t the first town that comes to mind for music recording. Yet the small community is home to Key Club Recording Company, one of the best and most beautiful studios in the Midwest, founded by producer/engineer duo Bill Skibbe and Jessica Ruffins.

ALARM's 50 Favorite Songs of 2012

ALARM’s 50 (+5) Favorite Songs of 2012

Last month ALARM presented its 50 favorite albums of 2012, an eclectic, rock-heavy selection of discs that were in steady rotation in our downtown-Chicago premises. Now, to give some love to tunes that were left out, we have our 50 (+5) favorite songs of last year — singles, B-sides, EP standouts, soundtrack cuts, and more.

Six Organs of Admittance

Review: Six Organs of Admittance’s Ascent

Six Organs of Admittance: AscentSix Organs of Admittance: Ascent (Drag City, 8/21/12)

“Waswasa”

Six Organs of Admittance: “Waswasa”

An undulating, tripped-out space opera, Ascent is the latest from guitarist Ben Chasny’s psych-folk project Six Organs of Admittance — here joined for an electric, full-band lineup by his Comets on Fire bandmates Ethan Miller, Noel Von Harmonson, Ben Flashman, and Utrillo Kushner.

From the start, Chasny’s guitar comes alive with candescent color, invoking the avant psych-geist without pastiche. Rolling lines of finger play provide atmospheric breaks, and reflective pieces like “Your Ghost” prove that, despite the special guests, his softer sensibilities are undamaged. But make no mistake: the main focus here is the roar and reason of electric guitar.

Hush Arbors / Arbouretum

Review: Hush Arbors / Arbouretum’s Aureola

Hush Arbors / Arbouretum: Aureola

Hush Arbors / Arbouretum: Aureola (Thrill Jockey, 4/24/12)

“New Scarab”

[audio:http://alarm-magazine.com/wp-content/uploads/2012/04/Arbouretum-New_Scarab.mp3|titles=Arbouretum: “New Scarab”]

Bands that traffic in psychedelic/stoner-rock orthodoxy often follow a dogmatism that rings shallow. In one fell swoop — three songs, to be precise — Baltimore quartet Arbouretum effectively lays waste to anyone who’s ever bowed at the altar of the fuzzed-out guitar to mask (or revel in) creative bankruptcy.