Melbourne, Australia’s Sticky Institute knows zines.
“I try to read literally every zine that comes through our doors,” manager Luke Sinclair says. The distro, which opened its doors in April of 2001 after Melbourne artist Simone Ewenson visited a similar shop in Amsterdam, carries a variety of zines, “artist books,” and other independent publications. Through support from the Victorian government and the Australian Council for the Arts, Sticky is able to nurture independent artists at every stage of the process.