Black Pus: All My Relations (Thrill Jockey, 3/19/13)
“1000 Years”
Taking noisy and experimental music out of the basement and into the mainstream has been a long journey. From Brian Eno and Lou Reed popularizing it in the 1970s to the current generation performing at large festivals, we’ve reached a point where it’s not only critically praised but a genre with a serious following.
Dan Friel and Brian Chippendale (Lightning Bolt, Black Pus) — creative souls each with challenging yet accessible new solo albums — recently sat down and talked about the freedom of solo work, performing on the street in the United Arab Emirates, and drunk viking synthesizers.
Dan Friel: Total Folklore (Thrill Jockey, 2/19/13)
“Thumper”
Brian Chippendale: You just made a super pop record that opens with a 12-minute song, and you didn’t have to bounce the song order or album direction off any band members! Do you feel mega-liberated by that? Or trapped because you had to make every decision?
Dan Friel: 100% liberation. Zero trap. And the track order was an especially fun call to make. With that said, I always end up bouncing ideas off of the same few helpful friends as my solo-project research panel (even if I reserve the right to then do whatever I want).
Stephin Merritt is a quirky and frighteningly prolific singer, songwriter, and multitalented musician whose multiple projects include solo work, four bands (The Magnetic Fields, Future Bible Heroes, The Gothic Archies, and the Sixths), musical theater productions, and film scores. Merritt has recorded a number of songs and albums as a solo artist (including a variation on the classic children’s song “The Wheels on the Bus,” for a recent Volvo commercial), but he is best known for his work with The Magnetic Fields, the group he founded in 1989 while living in Boston. Though the band’s lineup has changed over the years, Merritt has always retained the role of primary composer, lyricist, and arranger.