Saturday’s Lollapalooza festivities began well enough, with Minnesota rap collective Doomtree and soul singer/rapper Aloe Blacc providing early highlights. Things got a little less festive, however, as 60,000 people were evacuated from Grant Park in advance of a powerful storm with 70 MPH winds.
With the day’s first set, Lollapalooza 2012 officially begins at 11:30 AM CST — “bright and early” for professional rock bands.
We’ll be tweeting and posting to Facebook intermittently with our thoughts, and if you’re down at Grant Park too, let us know if you’re still alive. (Today’s high temp. will be in the low 90s with 50% humidity. Drink your bubble tea.)
Tonight’s festivities end with two of the billion bands to use “black” in their names — Black Sabbath and The Black Keys. Here’s our quick list of sets to catch:
In 2009, indie-electronica novice Ernest Greene appeared on the scene under the moniker Washed Out, offering an accessible and diverse dose of new wave with the impressive Life of Leisure EP. The debut recording delved into a re-imagined electronica sound, taking cues from mid-’80s synth heavyweights and incorporating a modern twist. It was a very bright start, but it was only a matter of time before Greene’s fresh, revitalized “chillwave” sound was put to the test on a full-length effort.
Two years later, Washed Out has returned with a proper LP — Within and Without — that expands on that initial, unique sound. Employing a glut of synths and electronic beats, Washed Out has taken new wave to a whole new level, modernizing the sound and legitimizing the genre. Mixing slowed dance beats with synth-heavy arrangements and various electronica ornamentations, Washed Out has put together a solid, unified offering.
Within and Without’s soothing soundscapes stem from the standout opener, “Eyes Be Closed.” Integrating waves of synth with steady drumming and atmospheric strings, the track moves fluidly, fluctuating between Washed Out’s subtle yet complex inner workings. There are a lot of things going on musically, with ocean-like soundscapes pulling in and out, shoring up with spastic, spaced-out keys and a sea of, well, “washed out” and reverberated vocals that submerge into the rest of the song, becoming musical textures within themselves.
