Morrow vs. Hajduch

Morrow vs. Hajduch: Powersolo’s Bloodskinbones

Scott Morrow is ALARM’s music editor. Patrick Hajduch is a very important lawyer. Each week they debate the merits of a different album.

Powersolo: BloodskinbonesPowersolo: Bloodskinbones (Crunchy Frog, 4/13/10)

Powersolo: “Gimme the Drugz”
[audio:http://alarm-magazine.com/wp-content/uploads/2010/08/Powersolo_Gimme_the_Drugz.mp3|titles=Powersolo: “Gimme the Drugz”]

[Ed. note: The track order of Bloodskinbones is different on Powersolo’s website than it is on the actual CD.  This review reflects the order as streamed from the band’s site.]

Morrow: Denmark’s Powersolo are some strange cats. It’s a pair of brothers — going by “Atomic Child” and “Kim Kix” — who play a peculiar brand of rock and roll and rockabilly.  Bloodskinbones is their third full-length album (fourth if you include the soundtrack to Himmerland OST).

Hajduch: I expected this album to be more rockabilly, but it actually reminded me of The Hives — driving, bar-chord garage with a few guitar leads thrown in to accent. About half-way through, I started thinking that the vocals sounded sort of like “Weird” Al, and it’s been messing with me ever since.

Morrow: Yeah, they definitely have that quality — sort of like Dr. Demento with dick jokes. But if you can get past the sophomoric humor and the oddball delivery, you’ll find some quality rock tunes. “Gimme the Drugz” is a good example of that — lowbrow lyrics but a real winner of a track. And yes, Bloodskinbones scales back the rockabilly and genre-hopping blend of the band’s first full-length for Crunchy Frog.