Last month ALARM presented its 50 favorite albums of 2012, an eclectic, rock-heavy selection of discs that were in steady rotation in our downtown-Chicago premises. Now, to give some love to tunes that were left out, we have our 50 (+5) favorite songs of last year — singles, B-sides, EP standouts, soundtrack cuts, and more.
Why?: Sod in the Seed (Anticon, 8/14/12)
“Sod in the Seed”
With the forthcoming Mumps, Etc. LP promising another new direction for indie-hop group Why? — this time with expanded orchestration — its Sod in the Seed EP comes to whet its fans’ appetites. And though its material is nearly all exclusive to the EP (only the title track is a repeat), at six songs and 17 minutes, it’s short and distinct.
Following its announcement of the Sod in the Seed EP — out August 14 on Anticon — indie-hop trio Why? (seemingly now a quartet?) has confirmed plans to release its next full-length.
Serengeti: Family and Friends (Anticon, 7/19/11)
Serengeti: “Ha-Ha” (f. Otouto)
[audio:https://alarm-magazine.com/wp-content/uploads/2011/08/04_Ha-Ha.mp3|titles=Serengeti: “Ha-Ha” (f. Otouto)]In July, Chicago local David Cohn, better known as independent hip-hop artist Serengeti, dropped his first solo album on Anticon. The record, titled Family and Friends, showcases Cohn’s informal rapping style, which gives the impression that he’s just chillin’ with you in a bar, rattling off stories about somebody’s junkie dad or a failed UFC fighter.
A follow-up to Cohn’s 2009 release with Illinois native Polyphonic, Family and Friends also explores new sonic territory with producers Owen Ashworth of Advance Base and Yoni Wolf of Why?. The washed-out breakbeats on tracks like “PMDD” and “Ha-Ha” complement the more experimental electro-pop mixes of “ARP” and “The Whip.”
Cohn recently took some time to chat with us about his solo release, his current collaborative projects, and his future in film-making.
How do different producers’ styles and strengths complement the many sides of Serengeti?
Well, I have many sides, so working with great guys helps with that. I like to see what each producer does and work within what they do. I used to rap over beats that were already done. Advance Base, Yoni Wolf, the Breakfast Kings, Polyphonic, Jel, and Odd Nosdam are really the only cats I’ve actually sat down to work with. I definitely prefer that way.
What were the biggest differences or adjustments in working with Owen and Yoni for the new album?
With Yoni, I went out to his pad in Oakland, and we did our tunes in a week. With Owen, I’d take the El to his house and work once or twice a week on stuff. No real difference, really — both fellas were very easy to work with. I’d been trying to get it up with Owen for a while, so once we had our first session booked, I was a tad anxious, like, “Don’t blow it.” We did “Flutes,” “PMDD,” and “Kenny vs. Spring” in about two hours.
Shaun Koplow from Anticon hooked up the Yoni thing, so I was again feeling anxious when I flew out there, although we’d done some shows together on a tour. This was different, staying in a pad and such. We had a goal of a song a day, and we did it. Both fellas were great to hang out with, and I’d liked them for a long time, so it felt like a step in the right direction. Thanks, Owen, Yoni, and Shaun.
Serengeti: Family and Friends (Anticon, 7/19/11)
Serengeti: “Ha-Ha” (f. Otouto)
[audio:https://alarm-magazine.com/wp-content/uploads/2011/08/04_Ha-Ha.mp3|titles=Serengeti: “Ha-Ha” (f. Otouto)]Native Chicagoan rapper Serengeti, a.k.a. David Cohn, has built a small but rabid following thanks to a unique, occasionally farcical style and a tireless work ethic. His latest album, entitled Family and Friends (out now on Anticon), enlists some notable producers: Yoni Wolf of Why? and Owen Ashworth of Casiotone for the Painfully Alone. The result is a hop-hop album free of undue posturing — operative beats stripped of excess ornament, a rapid, clear cadence — that captures the oft-neglected storytelling aspect of rhyming.
As his unorthodox sound suggests, Serengeti’s musical background is littered with non-rap milestones. And, as many of us can relate, his early musical education was composed of the stuff his parents played in the car and at home. We had him compile a playlist of such tunes. Without further ado:
Songs My Parents Liked That Stuck With Me
by Serengeti
Father and mother and I recently drove to NYC from Chicago. I was the first time I was in the same car as both of them in about 30 years. We listened to these songs a lot. I knew them all; it was great.
1. My parents split when I was very young. Mother would pick me up some weekends, and she’d always play this Mabel Mercer song, “Did you Ever Cross Over to Sneden’s.” Great song about longing to live on the other side. Alec Wilder wrote the tune.
“Did you ever cross over to Sneden’s / Where the white houses cling to the hill? / Did you ever cross over to Sneden’s? / Do you think that you ever will?”
2. Carmen McRae: “I’m Coming Home Again”
“The poets cried for dreams they never saw / The only certainty is nothing’s sure / And most things stay the same / Or go back where they came”
Written By Carole Sager and Bruce Roberts. Her voice is my favorite.
One of the founders of Anticon and the primary songwriter for indie hip-hop group Why?, Yoni Wolf’s slippery, honest rhymes reflect his equally unpredictable future.
Our list of favorites from last year includes devastating dub metal, organ-fueled psychedelic grind, a re-released classic-rock gem from nearly four decades ago, an international assemblage of punk-infused field recordings, and an Indian/surf/metal take on John Zorn‘s Masada material.