M83

Pop Addict: M83’s Hurry Up, We’re Dreaming

Every Thursday, Pop Addict presents infectious tunes from contemporary musicians across indie rock, pop, folk, electronica, and more.

M83: Hurry Up, We're DreamingM83Hurry Up, We’re Dreaming (Mute, 10/18/11)

M83: “Midnight City”

[audio:https://alarm-magazine.com/wp-content/uploads/2011/10/02-Midnight-City.mp3|titles=M83: “Midnight City”]

We live in an increasingly digital age. In this new era, certain elements associated with music have taken a hit: packaging, album artwork, tracks strategically placed on side A or B of a record, the creative complexities that go into double albums — basically, anything that made putting out a record as much of an artistic statement as a musical one. M83, however, is bent on keeping that aesthetic alive.

Of course, in order to do this, Anthony Gonzalez, the front-man for the French electro-pop outfit, had to create an album that actually mattered. He had to make an album that would transcend genre and time period, one that would eclipse the mass amounts of other records released this year. He had to put something out that was over the top, epic, anthemic — and so M83 did just that.

Morrow vs. Hajduch

Morrow vs. Hajduch: Austra’s Feel It Break

Scott Morrow is ALARM’s music editor. Patrick Hajduch is a very important lawyer. Each week they debate the merits of a different album.

Austra: Feel It BreakAustra: Feel It Break (Domino, 5/17/11)

Austra: “Beat and the Pulse”

[audio:https://alarm-magazine.com/wp-content/uploads/2011/05/Austra_Beat_and_the_Pulse.mp3|titles=Austra: “Beat and the Pulse”]

Morrow: A DIY advocate from the Toronto underground, singer/multi-instrumentalist Katie Stelmanis is the force behind Austra, a new electro-pop trio that incorporates an operatic flare.  Stelmanis grew up learning the viola and piano while also singing in the Canadian Children’s Opera Chorus, and that vibrato vocal ability is what carries this Austra debut.

The musical complexity isn’t as pronounced here as it was on Stelmanis’ solo debut, Join Us, which preceded Feel It Break.  But both albums channel a moody yet melodic dance/electronic sound — a style that’s sure to draw comparisons to The Knife.